Word: gauguins
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...when he felt that enlightenment was more fulfilling than art. He picked up the brush again only when the then French embassy cultural attach? Michel Deverge threatened to end their friendship if he didn't. In 1978, Deverge helped Tan organize a successful exhibition of his works at the Gauguin Museum in Tahiti, and Tan has never looked back. Since then, his success has translated into financial security as his larger pieces, such as the Song of Sutra, now sell at auctions for as much...
Certainly that was the case when the two men first met in Paris around 1905. Henri Matisse was then leader of the Fauves--the wild beasts--whose abruptly brushed, feverishly colored canvases had taken the lessons of Van Gogh and Gauguin to the inevitable far reaches. Pablo Picasso, 12 years younger, was still little known and working--though sometimes to surprising effect--with the dwindling resources of fin-de-siecle Symbolism. Both men were coming to grips with Cezanne and the means by which he represented space--with shallow patches of pigment that create the illusion of depth but still...
...terrible emerald-green sea ... what an inspired conception!" He had read about Impressionism, too, but imagined it to be simply the use of lighter tones. In Paris he discovered such older painters as Monet and Pissarro, and met the young avant-garde of the day: Toulouse-Lautrec, Seurat, Signac, Gauguin, Bernard. His old palette went out the window ("Last year I painted almost nothing but flowers," he wrote in 1887, "so I could get used to colors other than gray.") He experimented with Impressionist brushstrokes and pointillist "stippling" - one superb gallery here pairs off Monet's Boats on the Beach...
...Palais, cover modern art between 1870 and 1950: Impressionists, Neo-Impressionists, Nabis, Fauves, Cubists and Surrealists. Many of the names are second-tier - Marie Bracquemond, Charles Angrand, Henri-Edmond Cross, Suzanne Valadon - but most of their works (especially Bazille's Family Reunion on the Méric Terrace and Gauguin's bronze bas-relief Three Breton Women) are first-rate. From the moment you walk in the door at the Musée de la Musique, to the sounds of Little Richard and Muddy Waters, it's obvious that Jimi Hendrix Backstage is going to be unlike anything...
...Apart from two squid fishermen preparing outriggers under the Gauguin sky, I couldn't see another soul along the length of the beach. It was almost impossible to imagine this tranquil sea, waveless and lambent with the day's dying glow, as a foaming cataract of devastation. And as the waiter glided off to fetch another drink, I remembered Jahrani's parting words: "We live on the edge of the fire here in Flores. We know death can come at any time, from the mountains or from the sea. So we must try to savor each day like...