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...that is because you can't see into the artist's soul," rhapsodized the esthete. "It may even be a genuine Gauguin...

Author: /time Magazine | Title: Hoax | 9/19/1927 | See Source »

...prints and drawings. It is even more astonishing that the great founders of the contemporary tradition--men who have been dead twenty years are equally neglected. It is actually impossible for an amateur to study in any of these great galleries, a single painting by Cazanne, Van Gogh, Seurat, Gauguin, masters who are honored the world over--in London, Paris, Berlin, in Italy, Russia, Scandinavia, in the Low Countries, in Chicago and New York and Cleveland--but not in Boston. One must actually travel to Worcester to see paintings by Gauguin and Redon. In Boston, the development of 19th Century...

Author: NO WRITER ATTRIBUTED | Title: "BOSTON IS MODERN ART PAUPER"--BARR | 10/30/1926 | See Source »

...addition to the much-discussed French Moderns, there are two other interesting exhibitions current in London: Frank Brangwyn at Burlington House, and Paul Gauguin at the Leicester Galleries. The Brangwyn exhibition also was opened by Prime Minister MacDonald. Many of the canvases were loaned by the late Prince Matsukata of Tokio...

Author: /time Magazine | Title: Art: Brangwyn, Gauguin | 7/21/1924 | See Source »

...Gaudens has shown great executive ability in this post. For a quarter of a century, the International Exhibition at Carnegie Institute has been the most important show of the year. The new Director has enlarged the scope of the show to include the better known of the modern artists? Gauguin, Bellows, etc. And this year he made a special trip to Europe to find the best the continent could offer to be shown alongside the best American work. The result was the return with him of Paul Albert Besnard, the foremost French painter (TIME, April...

Author: /time Magazine | Title: In Pittsburgh | 5/12/1924 | See Source »

Like the great Spring salons, this exhibtion gives its high place of honor to a retrospective assemblage of works by the leading men of yesterday-Cezanne (the large Joueurs de Cartes owned by M. Vollard, and reproduced in his monumental Biography), Manet, Renoir, Gauguin, Puvis de Chavannes, Courbet and Bazille, together with a magistral El Greco thrown in to give historical perspective...

Author: /time Magazine | Title: Arts: In Paris | 12/31/1923 | See Source »

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