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Efforts to explain the world economic depression led sapient Professor Corrado Gini of the University of Rome last week to divide homo sapiens, like Gaul, into three parts. This was important because the French semi-official newsorgan Le Temps proceeded next day to take the division most seriously. It is simple, logical, best of all allows everyone else to shift the whole blame for nearly everything upon L'Oncle...

Author: /time Magazine | Title: INTERNATIONAL: L'Oncle Sam: Power Luster | 9/29/1930 | See Source »

Those to whom the classics are best represented by the unmarked graves of tattered text books and whose Latin is bounded by the three parts of Gaul will go to the Sanders Theatre tonight to at least a compromise with the ancients. Those who have found in the classics a metal that never tarnishes will go to be again confirmed. When in 1906 the Classical Club presented "Agamemnon", the twentieth century found its somber colors still unfaded under the stadium sky. In 1930 the robust comedy of Plautus will paint in lighter, sharper colors the humors and frailties...

Author: NO WRITER ATTRIBUTED | Title: ROMAN HOLIDAY | 3/19/1930 | See Source »

...parents of William Gaul, 6, wrapped a handkerchief soaked in rainwater from the grave around his neck. Doctors at Boston City Hospital said they noted a sudden improvement in his throat trouble...

Author: /time Magazine | Title: Milestones: Miracles in Malden | 11/25/1929 | See Source »

Faust (George Gaul) was seen early in the evening, moaning his discontent. Though often he voiced the assurance that he was thinking profound thoughts, his bombastic manner of doing so made you think he was lying. His intellectual hauteur had grown somewhat to resemble Gene Tunney's when finally the devil appeared with promises of pleasure. In the first moment of action on the stage and one in which for an instant the enchantments of the underworld seemed real, Faust wrapped his cloak around him and flew with his companion through the dark air in search of gaudy cities...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Oct. 22, 1928 | 10/22/1928 | See Source »

...heroine is a mid-western lass who hungers for romance and esthetics. In Venice she tumbles for an insolvent Frenchman whose family dates back to Charlemagne, who would innately prefer Santa Maria della Salute to the First Methodist. Her rubber-company father, distressed, arranges to remove the cultured Gaul to Ohio, hoping Daughter will be disillusioned by his Old World fragrance among robustuous U. S. odors. Chameleon Pierre turns Babbitt, nearly estranges the girl while ingratiating himself with her father, ultimately wins her with a recrudescence of Gallic passion when his success is dramatically jeopardized by an American rival...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Sep. 3, 1928 | 9/3/1928 | See Source »

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