Word: gaultier
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...Should fashion designers be excluded from the sphere of art and culture? Christian Lacroix, Azzedine Alaïa, Jean-Paul Gaultier and so many others are worldwide stars. Our luxury industries, as well as our Michelin-starred chefs, are perceived abroad as evidence of the vitality of French "culture...
...could attract almost half of them, while Sarkozy is the remaining choice for only a quarter. Yet some of them are bound to resist any lures from either Sarko or Ségo. "Both of them talk about protecting us - the mother protector and the father protector," says Renaud Gaultier, an industrial designer in Paris. "I have a mother and father; I'm an adult, and I don't need this infantile discourse." Gaultier says he'll drop an unmarked ballot into the box on May 6, and he won't be the only Bayrou adherent to exercise that civic...
...Vorticism in the Dazzle patterns applied to Allied ships during World War I. Dazzle made it hard for the enemy to get a fix - a trait that could also help explain the rebellious appeal of camouflage patterns since the 1980s for fashion designers like Versace and Jean-Paul Gaultier, and pop idols from the Clash to Madonna. Whatever the angle, "Camouflage" is a must-see. www.iwm.org.uk
...when I say this, but I am happier with the output of creativity of all our brands than I am with the bottom line." The pressure to create something new, however, is intensified by the pressure to move the huge corporate machine. Even John Galliano and Jean Paul Gaultier, both radical creative catalysts, have had to conform to the corporate spirit of our times. In Galliano's show for Dior, streamlined tweed suits and pared-down chiffon evening dresses in pale shades of gray and pink replaced his signature theatrics...
...Gaultier showed an equally commercial collection of slouchy athletic-inspired dresses over neon-bright fishnet stockings. Like Galliano, Gaultier has never been at a loss for ideas. And he celebrated his 30th anniversary in fashion by marching every one of those bad-boy notions down his runway--from the prescient 1976 leather motorcycle-jacket look to Madonna's cone-bra dress. Every look came off as current, which is why Gaultier is so good. He knows how to break the rules and keep his clothes classic. Fashion could do worse when looking for a new engine: create that which...