Word: gaultiers
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...selling should be. Karl Lagerfeld?s collection contained none of the key trends seen on the haute couture runways: no corsets, like at Versace, Gaultier and Christian Dior; no cut-outs, as seen at Gaultier and Versace; no buckles a la Valentino and Versace (shockingly, no reference to bondage at all!); but what was there was stunning. The suit Coco Chanel created so many years ago came out looking entirely new, with jackets tucked into skirts and belts slung low on the waist. Jean-Paul Gaultier also did a spectacular job of redoing what he does best. Tuxedoes, a trench...
FRIDAY Catch William Wegman's "Fashion Photographs" show at the Birmingham Museum of Art. This time it's Weimaraners in Gucci, Dolce & Gabbana and Jean Paul Gaultier. Highlight: the doggie bikini...
...Stephen Spielberg's recent purchase of therights to the movie and the antics of America'sfavorite pop icon, Madonna the simplecinderella-like plot of Memoirs promises tobe the year's great multimedia phenomenon. Ms.Ciccone appeared on the February cover ofHarper's Bazaar clad in a black kimono(Jean Paul Gaultier) and with the pale face, darkhair and red lips characteristic of a geisha. Inthe article "Like A Geisha," written by DaisanMcLane, Madonna likens what she does to "being amodern-day geisha...
While few would venture to call the UnitedStates a "woman's world" today, Madonna hasapparently taken the idea of a "geisha asentertainer" to heart and was so inspired that thevideo of her new single "Nothing Really Matters"is based on the au currant geisha-look, asis Gaultier's last collection. The infatuationhardly stops there, as, according to theBazaar article, Madonna and her assistantstalk about Golden's characters as if they're realpeople, with Madonna identifying with the evilHatsumomo. Rumor also has it that Madonna wouldlike a role in Spielberg's up coming movie, and atthe Public Library talk Golden confirmed...
...programme consisted of works by nine different French lutenists from about 1540 to 1700, including the great innovators Ennemond and Denis Gaultier. Mr. Henriksen played two or three pieces by each composer. At the end of each of these little sets he stood up, and moving out next to his music stand, placed one foot in front on the other solemnly bowing over his lute several times. I got the impression that Mr. Henriksen didn't mind our applause at all, and at the end of the concert it took very little persuading to get him to play an encore...