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Word: gauntness (lookup in dictionary) (lookup stats)
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...Albans, L. I., gaunt of frame, seamed of face, James Maiden, professional of the Nassau Country Club, plugged along under a scorching sun and won the Long Island open golf championship. Starting with a dazzling 68, he slipped up ten strokes that afternoon, ran second to young Francis Gallett, Laurelton professional, at the end of the first day. Seventy for his third round helped, 74 for his fourth won the championship by two strokes. Gallett, whose huge drives and tiny putts scampered astray too often, took second money with...

Author: /time Magazine | Title: Sport: Long Island Open | 8/18/1924 | See Source »

...last 12 years the traditional Senior "Class Day Tree" exercises have been held around the gaunt and rotting stump of the historic "Class Day Tree." This year, however, the class of 1924 will pay its respects only to the memory of the old tree; the tree itself will not be there. It was cut down last fall...

Author: NO WRITER ATTRIBUTED | Title: Senior Class Day Tree Gone--Traditional Exercises to be Maintained in Spite of Loss of Ancient Symbol | 2/20/1924 | See Source »

...Rehn Galleries, Manhattan, were exhibited recent paintings by George Bellows, whose Crucifixion (depicting a gaunt, muscular, cumbrous Christ) precipitated violent discussion a month ago (TIME...

Author: /time Magazine | Title: Arts: An American | 2/18/1924 | See Source »

...Scotti? This fellow of wisdom, wit and a sardonic smile, lost his customary poise in this outburst. A look of embarrassment and shyness was on his face, which is of that long, rather gaunt cast seen often in Italians. He bowed and stammered. He spoke a few heavily accented words of appreciation to the audience, and then spread out his arms, signifying that words failed...

Author: /time Magazine | Title: Scotti's Jubilee | 1/14/1924 | See Source »

...piece de resistance for the critics was Bellows' Crucifixion. There, set amid violent lights and shadows, with "portentous storm clouds swirling over Calvary," a gaunt, muscular, physical Christ depends from the cross. The sweet Christ, the mild Christ, the frail Christ are not there. He is a tremendous peasant fellow. His muscles bulge. His members are large, cumbrous, powerful, those of a toiler, of a great struggler. On his face are the passing marks of the death agony, the last contortions of pain passing in the peace of unconsciousness...

Author: /time Magazine | Title: Arts: Bellows' Christ | 1/14/1924 | See Source »

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