Word: gavalodon
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Dates: during 1994-1994
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Ekerot, swathed in black robes, his angular, bony face impossibly white, stands with Maria Casares in Jean Cocteau's "Orpheus" and the peasant in Roberto Gavalodon's "Macario" as one of the greatest visualizations of death in cinema. At one point, Jof sees the Knight playing chess with Death, and he escapes with Mia and their son. The Knight travels to his castle with several of his companios, and it is there that Death finds them. As the film closes, Jof has a vision of Death leading the Knight and his companions in a dance across the horizon...
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