Word: gavarni
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...most lyrical--but also the most politically acerbic--of the Ashcan artists was Sloan. A fervent admirer of the social vision of French lithographers, especially Gavarni and Daumier, he kept his satire for the illustrations he did for The Masses and other left-wing magazines. His painted world was more amiable, with its fleshy, rosy girls in dance halls or promenading in Washington Square Park--a Brooklyn Fragonard whispering to a Hester Street Renoir. Sloan saw his people as part of a larger totality, the carnal and cozy body of the city itself, where even the searchlight...
...have something like La Caricature and its daily successor Le Charivari, the periodicals by which Honore Daumier earned 30 years' living, six months in jail, and undying fame as an artist. Beginning in the second decade after the Napoleonic Wars, hardworking lithographers including Traviès, Gavarni and Grandville filled these sheets with caricatures of Bonapartist reactionaries and canting bourgeois. Daumier, who worked hardest & longest, died blind and penniless in 1879 in a house given to him by Corot. No cartoonist of Daumier's power, few painters so well endowed or so frustrated, have lived since. Because...
...prints placed above the case. The magnificent "Rue Transonian" is flanked by the "Souvenir de Saint-Pelagic," the prison where Daumier was confined for his political caricatures. This impression, one of seven known proofs, is also tent by Mr. Allen. Finally, an interesting comparison of Daumier and Gavarni is afforded by the juxtaposition of similar compositions. In this way the visitor is shown in dramatic fashion the similarities and the characteristics of the two leading journalistic artists; the general point of view of the period and the specific vision of the artist...
Eighteenth century work is illustrated by Watteau and Fragonard. The work of the Barbizon school may be studied in scenes of peasant life by Charles Jacque and Millet, and landscapes by Daubigny, Corot, and Rousseau. Etchings of Paris by Lalanne and Lepere are shown, Lithographs by Gavarni, Chariet, Raffet, Daumier, and Manet; landscape etchings by Pissarro, and a very rare lithograph of four figures by Ingres...
...period from the sixteenth to the nineteenth century. There are examples of engraving by Duvet; etchings by Callot, Claude Lorrain, Gaspar Poussin; engraved portraits of the seventeenth century by Mellan, Nanteuil, Edelinck, Masson, Morin, etchings by Watteau, Millet, Lalanne, Corot, Lepere; and lithographs by Daumier, Delacroix, Isabey, and Gavarni...
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