Word: gayness
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Dates: during 1960-1969
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...however, the Workshop has recognized the limitations both of the stage and the dancers. The evening ends with a delightful, foot-tapping ballet to Ramsey Lewis' "Wade in the Water." Choreographer Ron Porter is in perfect control of all the dancers and has them all swinging together for a gay finale...
...small boys overturning a rock in a muddy field, have uncovered all manner of seamy, unsavory creatures with curious links to Oswald. Under investigation are, among others, pro-Castro leftists, anti-Castro Cubans and a motley assortment of beatniks, homosexuals and psychopaths of various stripes. Their haunts ranged from "gay" coffee shops and bars in New Orleans' French Quarter to shadowy back streets in the Cuban sections of Dallas and Miami...
...thinks that a woman's best years are between 30 and 50. "The vieille petite fille-the old little girl-looks ridiculous." Thus Valentino hemlines rise no more than one inch above the knee, and necklines are high. Yet the Valentino look is anything but matronly: bright, gay colors and trim, geometric lines characterize his designs; sheer luxury is one of their chief appeals. It is the kind of luxury that means fabrics costing as much as $140 per yard, three-faced wools, the most expensive silks for buttonholes, and mink used as pure adornment. Valentino's prices...
...also extraordinary that though she plays with all the maturity and confidence of her instruments, Jacqueline suffers none of the neuroses of a former prodigy. Her temperament is as direct and gay as her cello is brooding and introspective. She lives in a London flat and loves the city's mod fashions, but unfortunately, she says, "I couldn't wear a miniskirt and play the cello...
Marie Menken, 57, wife of Willard Maas, an avant-garde bard who made some well-known experimental movies in the '40s, is possibly the finest film poet the underground has produced. She has a subtle feel for rhythms, a grand flair for colors and a gay wild way with a camera that leaves the eye spinning. In Lights, a 5½-minute study of Manhattan after dark, she slashes at her subject with a camera as an action painter slashes at his canvas, and the great stone city breaks up into a wriggling calligraphy of flash and filigree...