Word: gays
(lookup in dictionary)
(lookup stats)
Dates: during 1950-1959
Sort By: most recent first
(reverse)
Wayne, as usual, magnificent. As Brother Juniper, he is gay and wistful, pleading and commanding, mute and eloquent. He has the gift of changing the audience's mood from mirth to melancholy by altering the tone of his voice. And his stage presence is remarkable; his one or two fluffs sounded almost like part of the script, and he steadied a wavering child actor without missing a line...
...party catechisms, news stories surprisingly appeared, and the ponderous headlines (A CLEAR DEMONSTRATION OF THE UNITY OF THE SOVIET PEOPLE AND OF RALLYING AROUND THE COMMUNIST PARTY) became downright breezy (I VISITED THE VINNITSA SPY CENTER and BONN FLIRTS WITH MADRID). Pictures bloomed all over, and the subjects were gay: babies, dogs, water skiers and movie starlets...
...House (NBC). In the semi-modern classic that for years was regarded as a ringing plea for woman's emancipation, she was superb as the child-wife who is treated as a mindless, soulless plaything by a priggish husband (Christopher Plummer). But while Actress Harris-kittenish, hectically gay and finally rebellious-could break out of Nora's plush Victorian prison, she could not wholly shake off the stilted language and obtrusive 19th century stagecraft which Adaptor James Costigan took over from Ibsen...
...other state hospitals (average: 66% open), is the transformation of the wards. Gone are the dreary wooden benches, where patients dressed in Mother Hubbards (when they were not undressing themselves) sat listless, sometimes in their own excrement. Instead there is modern, comfortable furniture. Windows, no longer barred, have gay curtains or draperies with drawstrings. Instead of glaring ceiling lights, there are bridge and table lamps. Glass vases hold cut flowers. Plant stands are loaded with potted violets. Glass tumblers and bottles-potentially lethal weapons-are all over. Each ward has its full-length mirror...
...repertory of the Opera Group has so far been conservative. Of the pieces produced, only the Gay work could be called a novelty but its lukewarm popular reception intimates that such experimentation will be curtailed. This is unfortunate because smaller operatic groups ought to be daring where the large-scale expensive enterprises that the Metropolitan must attempt prove impossible. The second work this season will be Offenbach's well-tried operetta Voyage to the Moon, which was prepared by Miss Caldwell for the Boston Arts Festival in the summer of 1956. One can only hope that the spring offering...