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...Pinkerton operative in his 20s. In 1921 he shadowed Comedian Fatty Arbuckle, implicated in the death of a starlet, and noted: "His eyes were the eyes of a man who expected to be regarded as a monster ... I made my gaze as contemptuous as I could." It could have been the stuff of hard-boiled detective literature; instead it was the stuff of hard-boiled detective life: the life lived by Dashiell Hammett, creator of The Thin Man and The Maltese Falcon. A voracious reader of Henry James, before he switched to the school of hard knocks, Hammett wrote four...

Author: /time Magazine | Title: Books: Notable: Nov. 7, 1983 | 11/7/1983 | See Source »

...first one I saw was standing outside Elsie's, his triangular nose thrust firmly in the air. The orange face returned my stare with a hollow, fiery gaze His mouth stayed half-open, and I had trouble telling where face ended and teeth began...

Author: By Mike Knobler, | Title: Things That Go Bump | 10/22/1983 | See Source »

...most romantic segment followed a beautiful blonde model from Copenhagen en route to a day's shooting. Arriving early in the morning, the model wandered happily up the Champs Elysees, down the busy thoroughfares...paused at outdoor boutiques to finger exotic clothes...turned her impressive dreamy profile to gaze out at the Seine and Notre Dame and a extravagant floodlit fountain...

Author: By Amy E. Schwartz, | Title: Ordinary People | 9/24/1983 | See Source »

...that plagued late abstract expressionism in the U.S. The shock value of painting things upside down wears off with use. It begins as an arbitrary gimmick, meant to convey Baselitz's sense of the world's insecurity; it ends as a reassuring convention, directing one's gaze to the abstract qualities of the painting. Certainly, no one could say Baselitz lacks pictorial flair. When he is in full cry, slathering the surface with that thick and turbid pigment, now layered in grit and now applied with a kind of skidding creaminess, he achieves a fluency of rhetoric...

Author: /time Magazine | Title: Art: German Expressionism Lives | 8/8/1983 | See Source »

...would probably have headed along the road in any circumstance short of pitched battle and that men with cameras would take the utmost risks to get close to the action. Said Miami Herald Photographer Murry Sill: "It is like being in a meteor shower-you stand in it and gaze up in awe and try to stay out of its way." Added CBS Correspondent George Natanson: "If you do not want to take chances, you go into public relations...

Author: /time Magazine | Title: Press: The Treacherous Lure of a Story | 7/4/1983 | See Source »

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