Word: gaze
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...read, Rapp says the most valuable real estate on a two-panel menu (one that opens like a magazine) is the upper-right-hand corner. That area, he says, should be reserved for more profitable dishes since it is the best place to catch--and retain--the reader's gaze...
...retire Caspar David Friedrich's The Wanderer Above the Sea of Fog from further use on a book cover. Lovely as it is, this painting has done enough time as shorthand for a sentiment along the lines of "Man is so small, the world about him so vast, gaze on it with me, won't you?" Then again, sometimes exactly that sentiment is called for. Such is the case with Jason Roberts' A Sense of the World (HarperCollins; 382 pages), an enthralling biography of a man you've never heard of named James Holman...
...Updike remains one of America's great stylists--his prose is the literary equivalent of high-definition television--and one of its most pitiless observers. As Terrorist demonstrates, his gaze hasn't wavered, even though his feelings have never been more mixed...
Creative home for Neil Armfield is a former tomato sauce factory in Sydney's Surry Hills. It's here Australia's finest director goes, as Shakespeare's Hamlet says, "to sleep, perchance to dream." Here, under Armfield's gentle, bespectacled gaze, Geoffrey Rush first leaped to life as Proposhkin in Gogol's Diary of a Madman and Cate Blanchett came of age as Miranda in The Tempest. It's also where Armfield dreamed up his 1998 stage adaptation of Tim Winton's novel Cloudstreet, the epic production that put his name in theatrical heaven. With 14 actors playing 40 characters...
...couple's next fix. Otherwise his performance is fakery-free. As the sun Dan orbits, Abbie Cornish carries the same dreaminess she first displayed in Somersault. If she never quite plumbs Candy's depths, that's because she remains in Dan's eyes an ideal. Also directing their gaze is Svengali figure Casper, boldly played by Rush, Armfield's friend and colleague for a quarter of a century. At an early cast screening, "he said every character in this film does a 180-degree turn," Armfield recalls, "and what a great thing that...