Word: gazed
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Dates: during 1990-1999
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...count on Lazutkin. When Sasha told you a piece of equipment was going to work, it usually did. Shortly before midday, the Mir crew gathered in the main module, and Tsibliyev sent a command to the Progress vehicle, instructing it to open its electronic-eye camera and train its gaze on the station. The camera responded, and moments later, the TV monitor, as promised, flickered to life. Tsibliyev and Lazutkin seemed pleased; Foale was decidedly less...
Nothing happening at the windows, however, did not mean nothing happening on the screen. Following Tsibliyev's now worried gaze, both Lazutkin and Foale could see that the station had all at once become huge, practically filling the screen at a distance of barely 150 ft. from Progress. "Try to get another range!" Tsibliyev shouted to both crewmen. As Foale sped toward Kvant, Lazutkin looked out his window and froze. There, at last, seemingly at arm's length, was the fast-closing Progress. "There it is already!" he shouted...
...while Jiang, who has implicitly countenanced the death of critics young and old, will avert his gaze with relative ease from the worst that Harvard and the citizens of Cambridge and Boston can throw at his feet, there will be many others watching...
Though he is tall, bald, possessed of a hawkish, handsome nose and a striking snow-white beard, Malick's most distinguishing feature may very well be the intensity of his gaze--appropriately enough for a filmmaker--which has an unsettling quality of being both wide-eyed and penetrating. As it happens, these are also qualities that associates and friends ascribe to the man himself. He is also said to be, in no particular order, difficult, honorable, secretive, deeply spiritual, sweet, vindictive, humble, mercurial, self-possessed, insecure and the best-read person on the planet. "He's a genius," says...
Within these limits, there's actually quite a lot of good acting to be seen here. Wyle (who had bit parts in movies before stepping onto the set of "ER") acquits himself well as the soul-searching Warren. There's a depth and intelligence in his gaze that translates across both the big and small screen. Moore, as Mia, is convincingly abrasive and acerbic, even though the source of her anger remains a mystery. Hope Davis' Margaret brings a refreshingly clear-eyed, unselfconscious good humor that helps brighten the glumness of her surroundings, while Scheider's craggy Lincoln-like profile...