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...relics of Britain's imperial past. For many in the Glyndebourne audience, the evening's high point is the single, 80-minute intermission, when the ladies stride onto the smallish lawn to seize and defend their favorite picnic spot and lay out a lobster and strawberry feast as cows gaze at them indifferently from the other side...

Author: /time Magazine | Title: OPERA: Smiles of A Summer Night | 6/13/1994 | See Source »

Fifty years later, veterans of the Allied forces who defeated Nazi Germany are invading Normandy again to gaze at the beaches they stormed, walk the sunken roads they fought over, mourn at the military cemeteries, but most of all, celebrate their triumph. On the next big anniversary 10 years hence, most of these old soldiers -- and many of those who lived through the cataclysm of World War II -- will be gone...

Author: /time Magazine | Title: D-Day: IKE'S INVASION | 6/6/1994 | See Source »

...Arkansas has gone through a transformation since the campaign. Gone are the sweatshirt and slacks. The new Wright can afford an expensive haircut and smart, stylish dresses. Still the same, however, is her fierce loyalty to her old boss. "For 10 years," she says, with a flinty, blue-eyed gaze, "I doubt Bill Clinton was ever gone 15 minutes without me knowing where...

Author: /time Magazine | Title: Is She the President's Unguided Missile? | 6/6/1994 | See Source »

...public eye, Jacqueline Kennedy Onassis' heroism is imprinted through indelible images: at L.B.J.'s side, with a gaze more eloquent than any words, as he took the oath of office; gripping Robert Kennedy's hand and then her children's; receiving the flag that had covered J.F.K.'s coffin. But what of the woman beyond the camera's range? There are no pictures of her heartbreak and bravery at Parkland. Yet that was somehow...

Author: /time Magazine | Title: Jacqueline Onassis: A Profile in Courage | 5/30/1994 | See Source »

...Sharp Appetites" contributes to the discourse of sexual politics of post-modern society. LoCurto and Outcault build on Foucault's clinical gaze to examine the history and current issues of sexuality. They neatly finish the exhibition by placing the viewers on the operating table and reflecting the gaze back onto themselves. This is an enlightening precursor to "Power, Pleasure, Pain" at the Fogg Museum, which addresses similar issues in a similarly intelligent and serious manner. LoCurto and Outcault prompt the observer to rethink everyday images that constitute contemporary culture...

Author: By Mark Roybal, | Title: Carpenter Show Keeps Abreast of Feminism | 5/13/1994 | See Source »

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