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Sadat bore with fortitude the loneliness that is inseparable from moving the world from familiar categories toward where it has never been. He raised our gaze toward heretofore unimaginable horizons. And when he had transformed the paradox and solved the riddle, he was killed by the apostles of the ordinary, the fearful, the merchants of the ritualistic whom he shamed by being at once out of scale and impervious to their meanness of spirit...

Author: /time Magazine | Title: Sadat: A Man with a Passion for Peace | 10/19/1981 | See Source »

...Verdi's Otello. To be fair, Bergman usually knows how cliched his situations are, and he often satirizes them in clever ways. In a typical over-melodramatic sequence, for example, handsome Bob Fine (O'Neal) meets and falls in love with the voluptuous and married Lira (Mariangela Melato). They gaze intensly at each other, finally they clasp hands. Slowly their lips meet, they kiss deeply. They separate and gaze into each other's eyes. Lira says, "I fuck around...

Author: By David J. Waldstein, | Title: More Than Just T & A | 10/1/1981 | See Source »

...that blustery March day in 1867, when Sarah Woodruff stood on the Lyme Regis jetty and turned slowly to stare at the young gentleman rushing to her aid, she burned her gaze into popular literary history. Sarah may have been jilted by her fickle French lieutenant, but she seized the imaginations and won the hearts of the novel-reading public...

Author: /time Magazine | Title: Cinema: When Acting Becomes Alchemy | 9/7/1981 | See Source »

...lush Dorset landscape, two young lovers scale the Wuthering Heights of passion and despair. Charles Smithson, a kind and restless and resolutely ordinary gentleman of his day, meets Sarah Woodruff, once a genteel governess, now an outcast for her shameless "affair" with a capricious foreign sailor. That first gaze is enough. He abandons his wealthy fiancée, his friends and his good name to be with her-and, when Sarah mysteriously abandons him, to live with her memory...

Author: /time Magazine | Title: Cinema: When Acting Becomes Alchemy | 9/7/1981 | See Source »

...phrase, while the supercilious drawing master points to the model she must copy. In the crammed, tilted space, the heads on their distorted bodies swell grotesquely, like pale masks. Every detail of costume is there-one could dress an opera from Traversi-but the whole has gone awry: we gaze into a cuckooland of cultural pretension. Small wonder that Traversi failed to get the big commissions; but his work stays in the mind long after the more decorative things in this show, the chalky allegories of the arts, the fêtes champêtres and royal hunting scenes, have...

Author: /time Magazine | Title: Art: When Europe Began in Naples | 8/31/1981 | See Source »

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