Word: gazes
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...statue looks imposing because it stands almost 15 feet tall. The sculpture shows Morison sitting atop a rocky coastal bluff, readying his right hand to gaze through his binoculars. At the same time, Morison keeps watch, with his left hand on his knapsack and three thick books at his side...
...could the computer screen's cold glare ever replace a therapist's caring gaze? It may be hard to imagine, but for a growing number of people dissatisfied with traditional talk therapy, the convenience and anonymity of the Internet beat $100 sessions on the couch hands down. After all, if people are willing to bare their innermost feelings to a newfound love online, why not discuss deep-seated anxieties that way as well? Some 150 counselors listed on the website metanoia.org/imhs offer online therapy by videoconferencing, e-mail or live chat. Skeptics say the lack of nonverbal cues makes...
...Japan, like Tina [Turner]'s been to Japan, like Diana Ross has been to Japan." Impact is everything. It's at moments like these that one sees another side of Brandy, a shrewdly ambitious side. She may lack the blunt careerist lust of, say, Celine Dion, but her gaze is just as focused on global stardom. TV movies are just an initial step. Watch out, Tokyo...
...only possible but inevitable. She locates her stories, like her novels, in places where the difficulty of survival makes people poor and hard: Close Range: Wyoming Stories, Proulx's first collection of short stories in more than ten years, echoes 1988's collection Heartsongs in its unwavering gaze at human tragedy in nature's liminal spaces, where no quarter is asked and none given by protagonist, nature or narrator. It is this equanimity of Proulx which, together with her remarkable and idiosyncratic eye for texture, makes her stories so compelling. Throwing harsh light, she does not appear to cede sympathy...
...only possible but inevitable. She locates her stories, like her novels, in places where the difficulty of survival makes people poor and hard: Close Range: Wyoming Stories, Proulx's first collection of short stories in more than ten years, echoes 1988's collection Heartsongs in its unwavering gaze at human tragedy in nature's liminal spaces, where no quarter is asked and none given by protagonist, nature or narrator. It is this equanimity of Proulx which, together with her remarkable and idiosyncratic eye for texture, makes her stories so compelling. Throwing harsh light, she does not appear to cede sympathy...