Word: gazes
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...every parent's hope. One that is nourished by that first toothless grin of recognition, by the infant gaze of almost uncanny alertness and then by the stunning acquisition of words, of ABCs and 1-2-3s. "My child is bright. My child will excel in school. My child will make me proud." Industries are built on such aspirations. There are black-and-white mobiles to stimulate the senses and tapes of Mozart for Your Mind. Later come investments in Reader Rabbit software, encyclopedias and lessons to train every facet of body, brain and soul. But a child...
...serious? Am I really nominating private-sector surveillance as a surrogate for village visibility and the heavy gaze of a punitive god? Well, no. For one thing, God punishes only real sins and aims to redeem; malicious hackers and personal enemies will settle for embarrassment. And God brings cosmic reassurance as well as fear; the technologies of surveillance are all hell, no heaven. But I am serious about raising the question: As we spend more time plugged in and less time in public view, and as many people take fire and brimstone less and less literally, where will the surrogates...
...body of the album, if "Angelene" may be taken as a prologue, is a sort of paganish Pilgrim's Progress, taken through marshes of despondency, moments of ecstasy, and often-recurring seas, pools, and rivers in which the singer pauses to gaze at her own reflection. Landscapes and climates are, appropriately, elemental to her experiences. A dervishy, barrelling cut called "The Sky Lit Up" describes a night with a lover in which times seems to freeze despite great activity: "Thinking of nothing, and the shooting stars/And this world tonight is mine/A world to be remembered...
Nadia Thompson was a perfectly spiteful and cruel-looking Myrtha, Queen of the Wilis. Her cold gaze and severe gestures were fitting for the role. Although slightly stiff-looking at times, her jumps were strong and high and the sequence of bourresacross the stage at the beginning of the second act were executed very well. Her shriveling glance that sent Hilarion to his death, and condemned Albrecht to nearly the same fate, could not overcome the purity and gentleness of Giselle's love--the love that, in the end, overcame her own midnight curse...
...Demme, Winfrey's Sethe is a creature as stern as she is strong--as much oak as flesh and blood. She moves with the heaviness of someone dragging large and fatal memories behind her like a full steamer trunk. She is, as the book puts it, "iron-eyed"; her gaze is an Old Testament judgment, her love a demon that can crush those it enfolds. The actress and the character share intelligence and passion, but in many particulars Sethe is the anti-Oprah. If Sethe were a talk-show host, she would stare down her guests and say, "You think...