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...that was larger than his thumb." In 1874 North Carolina became one of the first states to limit a man's right to beat his wife, but lawmakers noted that unless he beat her nearly to death "it is better to draw the curtain, shut out the public gaze and leave the parties to forget and forgive...

Author: /time Magazine | Title: 'til Death Do Us Part | 1/18/1993 | See Source »

...beleaguered residents of Mogadishu had brief cause for rejoicing last week. Under the gaze of TV cameras, Somalia's leading warlords, Ali Mahdi Mohammed and General Mohammed Farrah Aidid, jointly announced that the so- called green line dividing the capital into separate sectors under their respective control had been abolished. Thousands of men and women cheered as the two rivals promised that for the first time in more than a year, people were free to travel across the capital. "Today is a great day," declared Ali Mahdi, whose gangsters control the northern part of Mogadishu. "Starting from this minute...

Author: /time Magazine | Title: Warlord Country | 1/11/1993 | See Source »

...Kaffee toward heroism. The antagonist is Colonel Nathan R. Jessep, Marine commander at Gitmo, not so much played as demonized by Jack Nicholson -- a wickedly smart psychopath, utterly self-confident and self-righteous. Nicholson sees the humor in this dark character but then freezes each potential laugh with a gaze that is hostile to anything not on his own agenda...

Author: /time Magazine | Title: Close-Order Moral Drill | 12/14/1992 | See Source »

...Garde, 1915-1932," the Guggenheim Museum's huge show of Russian art before, during and immediately after the 1917 Revolution, is meant to be received with extreme piety. These artists, all dead, now have a world audience they could only have dreamed of fitfully when they were alive. We gaze at their frail icons with reverence -- the replays of French Cubism with sturgeons, Cyrillic letters and Tolstoyan beards playing hide-and-seek among their facets; the posters exhorting us to "Beat the Whites with the Red Wedge"; the constructions of workers' materials like tin and rope and painted wood...

Author: /time Magazine | Title: Art: Russia's Great Flowering | 11/2/1992 | See Source »

This image of Matisse as a decorative, hence feminine, hence inferior painter tended to stick. Ironically, it would be supplanted later by the exactly opposite mistake: that Matisse's gaze on his odalisques in the calm of the Nice studio was the quintessence of male sexism, and that his love of pleasurable objects and delectable color, of luxury in general, disqualified him as a real voice of the 20th century because it was not revolutionary...

Author: /time Magazine | Title: Art: Matisse The Color of Genius | 9/28/1992 | See Source »

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