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...until late Monday afternoon that his whereabouts became public. At 4 p.m., Soviet Embassy Press Counselor Boris Malakhov called the Associated Press's State Department correspondent to inform him that there would be a press conference in 90 minutes. "We'll have Vitaly Yurchenko," he said. Replied Reporter George Gedda: "Wait a minute. Did I miss something? He defected three months ago." Said Malakhov: "Ah, there have been reports that he defected, but come to the embassy to find out what really happened...

Author: /time Magazine | Title: The Spy Who Returned to the Cold | 4/18/2005 | See Source »

...veiled timbre and somewhat muted personality. Jon Vickers, 52, can match Pavarotti's intensity and puts more serious thought behind his performing, but his is an entirely different kind of voice: rugged, heroic, best suited to dramatic works such as Otello, Les Troyens and Peter Grimes. Nicolai Gedda, an elegant, unfailingly attractive singer, is a supremely versatile stylist, at home in several languages; at 54, however, he is understandably not a powerhouse. Perhaps the challenge ultimately will come from a younger singer like Jose Carreras, 32, though to date he has shown neither the strength nor the subtlety of Pavarotti...

Author: /time Magazine | Title: Opera's Golden Tenor | 9/24/1979 | See Source »

Shostakovich: Lady Macbeth of Mtsensk (Soprano Galina Vishnevskaya, Tenor Nicolai Gedda, Bass Dimiter Petkov, Ambrosian Opera Chorus, London Philharmonic Orchestra, Mstislav Rostropovich conductor, Angel; 3 LPs). Soviet critics thought they heard a masterpiece when this, Shostakovich's second opera, was premiered in 1934. Then Stalin walked out of a performance and they listened again. This time they heard "din, gnash and screech" (Pravda). The work was withdrawn, and Shostakovich pursued more orthodox ways. A sanitized version, unveiled in 1963, found its way to the West on records, but this is the first recording of the original score. Harsh, erotic...

Author: /time Magazine | Title: Music: Sounds in a Summer Groove | 7/30/1979 | See Source »

...Bartered Bride, April 28. The Met's new production of Smetana's bouncy peasant drama boasts great singers but a botched translation and presentation. Teresa Stratas, Nicolai Gedda, and Jon Vickers (who cancelled his Tuesday Otello performance and may not show here) all are first-class artists, but some miscastings mar their contribution...

Author: By Scott A. Rosenberg, | Title: Meet the Met: | 4/26/1979 | See Source »

Mussorgsky: Boris Godunov (Bass Martti Talvela, Tenor Nicolai Gedda, Polish Radio National Symphony Orchestra, Jerzy Semkow conductor, Angel; 4 LPs). At long last, here is the Boris Godunov that Mussorgsky actually wrote. For too many years the work was heard in the brilliant, often gaudy revision of Rimsky-Korsakov, who in the guise of correcting a friend's mistakes dispelled much of Mussorgsky's haunting, earthy musical originality. This new recording measures up to both the music and the debt owed Mussorgsky. Martti Talvela is rich of voice (less a black bass than a walnut) and unforgettable...

Author: /time Magazine | Title: Music: Turning to the Classical Side | 12/12/1977 | See Source »

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