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...Gee. Five terrific performances! And three by women in their 50s (Streep), 60s (Mirren) or 70s (Dench). Cruz is a fierce madre di tierra, and Winslet a thoughtfully adulterous mom, but their films have not been widely seen. Streep is superb, but in a supporting role (though she does play the title character). It'd be funny if, having been nominated five times in the past decade for work that was just OK, Dench were finally to do great work in a juicy role and lose. Funny but predictable. In the duel of the Dames, Mirren will...

Author: /time Magazine | Title: Bye Bye, Dreamgirls, Hello Babel | 1/23/2007 | See Source »

...around.”An emphasis on equity may have eroded in conventional economics discourse, partially because “it’s really hard to say how equitable should things be,” Cutler said. “You’re saying, ‘gee, what’s the right distribution of income.’”Contrary to trends in his field, Musgrave “probably moved a bit in the direction of thinking there was an activist role of government,” Poterba said.The German school of thought?...

Author: By Tina Wang, CRIMSON STAFF WRITER | Title: Renowned Economist Musgrave Dead at 96 | 1/19/2007 | See Source »

...woman on the bill, there may have been more of a rivalry between us than may have been between some of the guys. Because when you were aware there was only one slot available ... It's not like you wish anybody any ill, but when there's one spot, gee, I'd like to have...

Author: /time Magazine | Title: Q&A: Paula Poundstone | 12/13/2006 | See Source »

...story’s international scope made him realize he could affect global issues, when he saw an injustice and said to himself, “Gee, I’m the media. I’m sure there’s something I could...

Author: By Nathaniel S. Rakich, CONTRIBUTING WRITER | Title: Crimson’s Editor Is Marshall Scholar | 12/7/2006 | See Source »

...Veldt” centers on the newest gee-whiz gadget that an overworked father of the “Father Knows Best” ilk (Jonah C. Priour ’09) gets for his parentally-neglected kids (Carolyn A. McCandlish ’07 and Zachary B. S. Sniderman ’09): a playroom which perfectly reproduces any place one could wish to go. It comes to represent the children’s resentment toward their parents, eventually allowing their emotions to take murderous form, despite the worries of their mother (Victoria J. Crutchfield...

Author: By Elisabeth J. Bloomberg, CRIMSON STAFF WRITER | Title: 'Bradbury' Navigates Reality and Fantasy | 12/3/2006 | See Source »

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