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...script wasn't supposed to end this way. On Oscar night the DreamWorks team of David Geffen, Jeffrey Katzenberg and Steven Spielberg was hoping--probably expecting--to hear Spielberg's film, Saving Private Ryan, named Best Picture. Certainly, the glittering assemblage at the Dorothy Chandler Pavilion was shocked. When Shakespeare in Love was announced, there was an audible gasp...

Author: /time Magazine | Title: Private Spielberg | 4/5/1999 | See Source »

Soon after he left Disney, Katzenberg formed DreamWorks with David Geffen and Steven Spielberg. He raided a goodly portion of Disney talent, including Prince of Egypt producers Penney Finkelman Cox and Sandra Rabins and composer Hans Zimmer. He readily admits that The Prince of Egypt has a special resonance for him; one of his animators has even drawn a cartoon of Katzenberg as Moses confronting Eisner as Rameses. But it's not just a matter of personal vindication. Animation is such a key part of the DreamWorks business plan that many in the industry believe a failure by The Prince...

Author: /time Magazine | Title: The Prince And The Promoter | 12/14/1998 | See Source »

...according to the DreamWorks founding trio, during the initial burst of excitement of inventing the company in 1994. In a meeting at Spielberg's house, the talk turned to animation. Spielberg said he wanted to do a project with the grandeur of The Ten Commandments. "What a great idea," Geffen said...

Author: /time Magazine | Title: The Prince And The Promoter | 12/14/1998 | See Source »

MUTATIONS Beck Geffen Records...

Author: By Jared S. White, CONTRIBUTING WRITER | Title: Beck's Post-Success Stress | 10/30/1998 | See Source »

...Maryland. All that tonnage (literally: the aggregate weight of the seven Torqued Ellipses comes to nearly 400 tons, giving this a claim to be the most ponderous one-man show in history) had to be shipped to Los Angeles via the Panama Canal and set up inside the Geffen Contemporary. The plates couldn't be craned in through its doors, and so, recalls the museum's director, Richard Koshalek, "we took the direct way. We just cut a big hole in the back wall and had the trucks drive straight in." Then, with the help of a compact but powerful...

Author: /time Magazine | Title: Art: Steel-Drivin' Man | 10/19/1998 | See Source »

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