Word: geidt
(lookup in dictionary)
(lookup stats)
Dates: during 1990-1999
Sort By: most recent first
(reverse)
...great influence on theater. He has dragged the theater kicking and screaming into the 21st century," says Jeremy Geidt, a professor and an actor with the ART company who has worked with Brustein since...
...blindness until his chauffeur (Stephen Rowe) reveals the real state of affairs to him. Aghast at the thought of becoming her prey, Jack flees to Spain, only to be taken captive in the Sierra Nevada mountains by band of brigands led by an appealingly urbane character called Mendoza (Jeremy Geidt). In the end, the wayward Jack is finally reclaimed by the tenacious Ann, who tracks him down, accompanied by the entire party...
...turns the incurable romantic, "Ricky-Ticky-Tavy" Octavius into a singing, simpering, sentimental fool; Jack Willis, in a minor satiric role as an American industrialist buying his way into ancient English titles and estates, makes a caricature of himself with his loud, hearty declamations and zestful crudeness of manner. Geidt lacks Mephistophelian finesse as both Mendoza and Satan, but is nicely balanced by Epstein who is superb as the stiffly and stuffily pompous Ramsden/Statue. And Rowe is highly diverting as the laconic chauffeur (H)enry Straker--Shaw's representative of the ideal working-class man, contempt for the bourgeois...
...peace is about to be shattered by unwanted revelations from the past. (Mark that "unwanted"--it's essential to understanding the play as a whole.) The opening scene, however, is laid not in the Ekdal home but in the rich red study of the wealthy businessman Hakon Werle (Jeremy Geidt), who is hosting a dinner party in honor of his only son, Gregers (Stephen Rowe). We learn that the two men have been estranged for many years, but that old Werle, on the eve of a new marriage with his housekeeper, Mrs. Sorby, is seeking a reconciliation. The son will...
...flair in the downtown loft of Alex Del Flavio (Neil Maffin), a Mapplethorpe-esque photographer with a penchant for flowers, crucifixes and dicks. Seems predictable enough--and still does when Nan Bemiss (Pamela Hart) prances in. The Chanel-clad wife of the aforementioned bigot and Senator Pete Bemiss (Jeremy Geidt) has a "teeny" favor to ask of the, at this point, naked artist. The favor, of course, is that he self-censor a few of his more raw shots for the upcoming gala opening sponsored by the Bemisses...