Word: geishas
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Dates: during 1990-1999
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...Japanese geisha, Arthur Golden '78 explains, take great care with their makeup. The lengthy and complicated process of adding layers and layers of precisely applied makeup is almost ceremonial, yet a geisha will leave a border of naked skin around the edges of her face, heightening the theatricality of her appearance. The rim of exposed skin supposedly reminds men of the rest of the geisha's well-concealed skin...
Golden's new book is a sort of makeup remover. Memoirs of a Geisha starts at that bare rim of skin and gradually dissolves the entire facade of Gion, Kyoto's geisha district, during the 1930s and 1940s. The story of young Chiyo's transformation into the geisha Nitta Sayuri is not merely the tale of one woman but the chronicle of a particular place...
...love duet in the Met's Butterfly, Pinkerton begins stripping his bride, who throws back her head in ecstasy. On opening night, the sequence was loudly booed by another member of opera's aristocracy, former diva Licia Albanese, who in Mario's day played Butterfly as an elegant geisha. Albanese ``looks at the opera from the moral viewpoint of the '40s,'' shrugs Del Monaco. ``But Pinkerton was an ugly American who was drunk and excited...
...love duet in the Met's Butterfly, Pinkerton begins stripping his bride, who throws back her head in ecstasy. On opening night, the sequence was loudly booed by another member of opera's aristocracy, former diva Licia Albanese, who in Mario's day played Butterfly as an elegant geisha. Albanese "looks at the opera from the moral viewpoint of the '40s," shrugs Del Monaco. "But Pinkerton was an ugly American who was drunk and excited...
...sporting a leathery tan, she perches naked on a bed and smirks at Gallimard, "Come and get it." In case you don't get the point of all this, the script is there to help: early in the movie, we're shown Sukowa doing a garish imitation of a geisha girl fluttering a copy of Elle magazine (nudge, nudge...