Search Details

Word: gelber (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

SQUARE IN THE EYE. While too many themes and techniques are crowded within its angle of vision, Eye is alive with a phantasmagoric sense of the present. Playwright Jack Gelber's latest satiric work tickles the ribs to stab the brain...

Author: /time Magazine | Title: Television, Theater, Records, Cinema, Books: Jun. 25, 1965 | 6/25/1965 | See Source »

SQUARE IN THE EYE. Playwright Jack Gelber gives a satirical spin to the contemporary kaleidoscope of marriage, egos, careerism, the cults of surgery and psychoanalysis, and the cosmeticians of the death industry. The play is suffused with moral pathos, even while it is being abrasively funny...

Author: /time Magazine | Title: Television: Jun. 18, 1965 | 6/18/1965 | See Source »

SQUARE IN THE EYE. Playwright Jack Gelber fires a satirical stream of tracer bullets into the marital war of the egos, careerism, the cults of surgery and psychoanalysis, and the cosmeticians of death industry. A theatrical kaleidoscope, the play is suffused with moral pathos-even while it is being Abrasively funny...

Author: /time Magazine | Title: Television: Jun. 11, 1965 | 6/11/1965 | See Source »

Square in the Eye. After exploring the lower depths of drug addiction in The Connection, and splashing a dramatic canvas with jesting surrealistic damnation in The Apple, Playwright Jack Gelber now fires a stream of satirical tracer bullets into contemporary marriage, careerism, the worshipful cults of surgery and psychoanalysis, and the costly cosmeticians of the death industry. Though his mind is finer than his means, Gelber is an intellectual twister and swinger with a phantasmagorial sense of the present...

Author: /time Magazine | Title: Theater: Intellectual Twister | 5/28/1965 | See Source »

...Although Gelber is better at making points than creating people, his concern is with the autotelic personality whose life is as self-contained as a work of art, and who regards all other lives around him as tubes of paint to be squeezed onto his emotional self-portrait. In consequence, the sex battle becomes a war of egos. But Gelber's hero is concerned about being self-concerned, feels guilty about not feeling guilty, and this suffuses the play with moral pathos-even while it is being abrasively funny...

Author: /time Magazine | Title: Theater: Intellectual Twister | 5/28/1965 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | Next