Word: gelfand
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Also of notice was the peasant pas de deux in the first act, performed by Jennifer Gelfand and Paul Thrussell. Gelfand's dancing is both technically superb and artistically refined. She has grown to be an extremely mature dancer with strong, perfect turns and a confidence in her technique that allows her to work on even the in between steps, linking every turn and jump to the next, so that her variation is one long, beautiful movement that never ends. Her partner Paul Thrussell seemed weak and definitely not at his best, as he is usually an amazing and very...
...though the too-familiar music may grate on the nerves in crowded shopping malls, here it retains some of its magic when accompanied by dancers gracefully simulating the opening and closing of flower petals. In the final pas de deux of the Sugar Plum Fairy and her Cavalier, Jennifer Gelfand and Robert Wallace were both excellent. Gelfand's solid technique, effortless jumps and unmatched turns made her variation a joy to watch, reaching a high point when she completed four and five rotations after her fouette turns--a feat seldom seen on stage. Wallace was a refined and dignified Cavalier...
...performance as Medora was by turns sweetly tender and cockily cute, and her fluidity and lithe jumps were flawless throughout the evening. Pollyanna Ribero, as Medora's friend Culnare, displayed her usual solid strength. In the pas d'Esclave (slave dance), the female role was performed by Jennifer Gelfand. The highlight of her variation was, as always, her amazing pirouettes and fouettes. She amazed the audience with her ability to do four and five rotations in the midst of her fouette turns, a feat that is seldom seen onstage...
...Some dancers, particularly Pollyana Ribeiro in "Rum and Coca-Cola" and Paul Thrussell in "Oh Johnny," win lauds for balancing spirited charm with grace and elegance. Unfortunately, many of the other performers do not seem to know now to have fun. In the supposedly-lively "Pennsylvania Polka," dancers Jennifer Gelfand and Carlos Ivan Santos look uncomfortable and embarrassed to be doing the polka between melodramatic air-kisses on-stage...
...sensuous, technically challenging Arabian "coffee" movement performed by Kyra Strasberg, Todd Eric Allen and David Porter, mesmerized the audience and incorporated elements of modern dance into classical ballet. Finally, the rapid speed of the Sugar Plum Fairy's pirouettes and her leaps in plie on point all allowed Jennifer Gelfand to look delicate and effortless while demonstrating her internationally recognized mastery of technique. While strong on her own Gelfand proved to have even more range in her movement in a pas de deux with her talented partner Paul Thrussell (dancing as the Cavalier). A small and subtle suspension of time...