Word: geller
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Dates: during 1960-1969
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...scripts involving assassination have just been chucked. Alan Armor of CBS's new western, Lancer, has edited out one shooting and one ambush from his premiere show, and the producers of Gunsmoke, Get Smart and The Name of the Game have ordered re-evaluation of all scenarios. Bruce Geller, producer of Mission: Impossible and Mannix, says: "We're going to explore other areas of conflict than violence-conflict of emotion and conflict of intellect...
...describes the origin of Mission: Impossible-in the style and pattern of the show's own standard opening scene. The program is TV's hottest suspense series, and its fans find in it the same inspired implausibility that characterized The Man from U.N.C.L.E. in its prime. Bruce Geller, 37-year-old film, TV and off-Broadway writer who conceived the whole enterprise, concedes that his original script was basically a paste-up of Topkapi and several other favorite movies. When Hollywood wouldn't buy it, he turned to Desilu. When Desilu proposed a series, he turned nervous...
Pouf of Smoke. Normal dramatic tools like characterization and motivation are given short shrift on M:I Geller & Co. instead believe in fast plots, dazzling footwork, bizarre technical contrivances. It is always the "how" of a story that keeps viewers pinned to their TV sets, since nearly everything else on the program is deliberately made familiar. At the opening, Peter Graves, 41, as Impossible Mission Leader Jim Phelps, enters a phone booth, warehouse or parked car, finds a hidden tape recorder, and turns it on. "Good morning, Mr. Phelps..." it begins, and then outlines the task: recover something crucial that...
...combines this sort of fantasy with technical accuracy. For a forthcoming show set in a think tank, Geller sent two writers to make a study of the Rand Corp.'s offices, then reproduced it right down to the paper shredder in the basement. Yes, Phelps ends up crawling through chutes leading to the shredder. With a budget of $185,000 a show, M:I has no trouble coming up with an astonishing array of the latest devices of nuclear-age espionage. Says Staff Writer William Read Woodfield: "We like to think that the CIA is awake and watching...
...eight Lesley girls -- Sharon Clifford '70, Beesie George '70, Sue Geller '67, Jo Anne D'Amato '69, Linda Wickeri '69, Sandy Lindell '67, Judy Johnson '68, and Fran Drier '68 -- all agreed that Lesley was just what they wanted...