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Start with the already famous, indeed controversial lips. just say she's got Bette Davis mouth; she kisses like Gelsey Kirkland; her Cinema-Scope pout could belong to Soupy Sales after he's been smacked with a cherry pie. Now let's move on. There must be more to discuss in the burning media matter of Liv Tyler. Can she act? Does she possess a screen radiance? Are her new movies any good? Quick answers: hard to tell; could...

Author: /time Magazine | Title: CINEMA: ONE LIFE TO LIV--BUT CAN SHE ACT? | 6/17/1996 | See Source »

Until the past few years, there has hardly been a lack of them. In the 1970s and early '80s, the international roster included Natalia Makarova, Suzanne Farrell, Gelsey Kirkland, Cynthia Gregory and Carla Fracci. In those days there were also thrilling partnerships that sold out houses worldwide. In Britain the great linkage of Fonteyn and Nureyev was followed by the pairing of Antoinette Sibley and Anthony Dowell. Erik Bruhn and Fracci raced about the world bolstering the box office at various companies. Baryshnikov was the pivot in two blazing partnerships: one with Makarova that reached back to the pair...

Author: /time Magazine | Title: POINT PERFECT | 2/13/1995 | See Source »

...edited memoirs by Gelsey Kirkland and Michael Jackson as well as obscure books she felt deserved attention, such as Diary of a Napoleonic Foot Soldier, the manuscript of which was languishing in a Kansas library until she took an interest. She made something of a crusade for Edvard Radzinsky's The Last Tsar, getting what Rubin calls her SWAT team of assistants to promote the book. Most days she lunched at her desk on carrot and celery sticks. Says Doubleday associate publisher Marly Russoff: "It was always a shock for the first few times when you'd pass...

Author: /time Magazine | Title: Jacqueline Onassis: A Profile in Courage | 5/30/1994 | See Source »

Several appealing versions of The Nutcracker exist on film or videotape. An especially familiar one is the American Ballet Theatre's 1977 production, a TV holiday staple starring Mikhail Baryshnikov and Gelsey Kirkland, both in their radiant prime. But Balanchine's remains the standard. His hero and heroine are children, and the first act contains a party scene that is the heart of the piece. Deftly and smoothly, it teaches a timeless lesson in deportment: how a child's natural greed and anger are coaxed into poise and good manners...

Author: /time Magazine | Title: A Not So Cracked Nut | 12/6/1993 | See Source »

Since his death seven years ago, George Balanchine has taken on a strange, ectoplasmic life in the pages of other people's books, most of them written by his former dancers at New York City Ballet. One, Gelsey Kirkland's angry, vengeful Dancing on My Grave (1986), made the best-seller lists. This year brings a slight but more genial coda from Kirkland and the memoir the dance world has been waiting for, from Mr. B.'s last muse, Suzanne Farrell...

Author: /time Magazine | Title: Books: Dancing Tales | 10/1/1990 | See Source »

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