Word: gemma
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Dates: during 1950-1959
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Black Orpheus (Dispatfilm-Gemma; Lopert) is perhaps the most impressive can of film so far cast up on U.S. shores by the New Wave (La Nouvelle Vague) of creation that has swept across the French movie industry. It is an amazing creation. The picture was made by Marcel Camus,* a 47-year-old assistant to some of France's top directors. In 1957 he found an adaptation of the Orpheus legend by a Brazilian poet and playwright named Vinicius de Moraes (TIME, Nov. 19, 1956), and for the hell of it he used the wildly poetic mountains around...
...perhaps thereby come to terms with his own restless nature. Also on the way to Clausen is an odd trio of characters: a tropical tycoon named Zuckermann, who is playing the white man's last rubber in the game of enlightened self-interest; his beautiful and enigmatic secretary. Gemma; and his top research man, a brilliant mixed-blood scientist who secretly aspires to be "a Napoleon of the black masses." As these and other characters converge on Luala, Colquhoun stumbles on a series of weird goings-on-sacrificial rams and totemistic moles and a mysterious concourse of natives performing...