Word: gena
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Dates: during 2000-2009
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...type of understanding.” With all that understanding going on, one might think that an enterprising male might enroll in such a course where the odds are stacked in his favor. When asked whether or not taking the course was a good tactic for picking up girls, Gena M. Haugen ’09 laughs, and then says, “I would definitely consider dating a guy who was interested in reading Jane Austen.” But with enrollment numbers like those in WGS 1122, Haugen might have to widen...
...Chadha, Olivier Assayas, Walter Salles, Sylvain Chomet and Tom Tykwer.) Wouldn't it to lovely to bathe briefly in the radiance of Fanny Ardant, Juliette Binoche, Steve Buscemi, Sergio Castellito, Willem Dafoe, Ben Gazzara, Maggie Gyllenhaal, Bob Hoskins, Catalina Sandino Moreno, Emily Mortimer, Nick Nolte, Natalie Portman, Miranda Richardson, Gena Rowlands, Ludivine Sagnier, Rufus Sewell and Leonor Watling...
...forward Beverly Ting said. “It was satisfying to be rewarded for that.” Harvard drew first blood in the contest. After controlling play in the offensive circle, the ball came to senior midfielder Jane Sackovich, who sent a well-placed shot past Lions goalie Gena Miller for a 1-0 lead 13:46 into the contest. Miller would finish the game with three saves. “Jane had the ball near the top of the circle and the defense dropped off her for a second,” junior Audrey Ziomek said...
...plot is simple. Hudson, a nursing student with a guilt complex over not being there for her dying father, moves in with Mr. and Mrs. Devereaux, played by John Hurt and Gena Rowlands. In this house with many doors and no mirrors, she is handed the “skeleton key,” the one key that will unlock all the doors (a symbolism carried to extremes throughout the film). When she has trouble unlocking the door in the attic, she starts to suspect that something is fishy, which leads her down the trail to hoodoo?...
...everyone from John Sayles to Steven Soderbergh—is a must see for all ardent cinephiles. As always, Cassavetes braces his films in an emotional reality reminiscent of Italian neo-realism and the French new wave salted with American disappointment. This time he wrote and directed his muse, Gena Rowlands, to an Oscar nomination for her Woman in a emotionally fraught relationship with Peter Falk, trying to get a handle of what she’s allowed to be in the modern world. 7 p.m. The Harvard Film Archive...