Word: general
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Dates: during 1950-1959
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...painting, however, was singled out for comment: Jack Levine's controversial Welcome Home, which shows a bloated, translucent, two-star general banqueting with his friends. "It looks," said General Eisenhower, "like a lampoon more than art, as far as I am concerned." Nobody interrupted to invoke the shades of Hogarth, Goya or Daumier, so Ike went on to say that in the future, "I think I might have something to say if we have another exhibition anywhere." Possibly, "there ought to be one or two people" on the Government's selection boards "that, like most of us here...
Additions to the Coop's shelves will include works of Stuart Chase, Wendell Johnson, Hayakawa and Korzybski, chosen from a suggested list in "ETC.", a general semantics quarterly...
...main task of the museums, if they are multi-purpose, is to offer the same type of general art, scientific and cultural education that the Museum of Modern Art gives to its many loyal members. (This last Museum, incidentally, especially impresses Dr. Prakash.) If the museums are "art-museums," on the other hand, a general policy of Indian-antiquities-for-the-Indians is followed, with the many excavation sites of India additionally becoming regional museums in time. Western art, on the other hand, is difficult to collect due to the (a) lack of encouragement which the ruling English gave...
...Picasso's famous Blue Boy, some fine drawings by Cezanne, Millet and Seymour Reminick, and some first rate sculpture by Lehmbruck, Matisse, Lachaise, Epstein and, of all people, Paul Gauguin. These works alone are worthy of a trip to the Busch's isolated headquarters on Kirkland and Divinity Avenues. Generally, however, the rather uneven quality of the exhibition tends to ensure a quick run-through of the works which merit attention on the part of the artgoer. An inclusive exhibition of a private collection is bound to turn up some third-rate works such as the trompe-l'oeil offerings...
...reason for the general excellence probably lies in the fact that the text does not require the players to convey the music of poetic lines--an area in which the company as a whole is weak. This is not to say that the writing in the play lacks interest; far from it. The text is a rich mine of various kinds of lower-class Elizabethan speech, including laughable treatments of French and Welsh dialects. It is filled with captivating puns, doubles ententes, and novel images; and it constitutes a veritable dictionary of original invectives, insults, and expletives...