Word: generality
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Dates: during 1970-1979
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...Neill to break the tie and rescue the President, his fellow Democrat. But O'Neill remained silent, doing nothing. Not only was he deeply committed to the embargo but also he was furious at the Administration for the dismissal of his old friend, Robert T. Griffin, from the General Services Administration. Other Democratic leaders, however, were frantically mobilizing support-for opposite sides. Indiana's John Brademas, the Democratic whip and a leader of the pro-Greek lobby, was fighting to keep the embargo. At this point, he had a lone vote in reserve. Opposing him was Democratic Floor...
...GENERAL ANNOUNCEMENTS...
...LOEB PRODUCTION of the play does justice to Wycherly's satire, and in general the performers make the most of the barb-tongued dialogue. Director Norman Ayrton has captured the stylized nature of Wycherly's society in the highly stylized but rarely obtrusive things he has his cast do. Touches like the ladies' fans, which they snap open and shut in precise timing with their lines, and the gestures of the fops and dandies underscore the contrived nature of the life Wycherly satirizes. In the first scene, everyone who walks on stage stops to preen in a full-length mirror...
DIED. Mary Pillsbury Lord, 73, former U.S. representative to the U.N. Human Rights Commission and delegate to the General Assembly; of cancer; in Manhattan. The granddaughter of the founder of the Pillsbury flour company, Lord served as a volunteer in numerous health and welfare organizations. In 1945 during one of her many tours of Europe for the WAC, Lord struck up a friendship with General Dwight D. Eisenhower, and in 1952 became co-chairman of the National Citizens Committee for Eisenhower-Nixon and campaigned tirelessly for the Republican ticket. In 1953 when Eleanor Roosevelt resigned her post on the Human...
...photography can make of big events is a scribble of light that promises more information than it delivers, what can photography do? What are its proper subjects? The argument of Szarkowski's show is that photography has undergone changes similar to those that overtook painting and sculpture. "The general movement of American photography," Szarcowski writes, "has been from public to private concerns." Photography has become more and more aware of its own history and limits as a medium: a debate about these is built into the art, so that photography, instead of being an unproblematic record of appearances, is also...