Word: generics
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Dates: during 1990-1999
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Accordingly, the relationship between Gere and Ling is one of the few things that elevates the movie above the generic. The culture clash becomes all the more striking, as we see how the two learn to work together thus providing a foil for the isolation that all the other Chinese elements create...
...more strongly than it begins, that's one more testament to the resilience of its creators. Their insistence on respect--as women, as artists and as romantic partners--is a welcome change from much of today's black music scene, dishearteningly crowded with all-cried-out martyr-masochists and generic balladeers. Brand New scales few new heights for the self-proclaimed Queens of Queens, but the album leaves no doubt that Salt 'N' Pepa are the real spice girls. Everyone else is a wannabe...
...creatively multilingual Seven Years in Tibet, Brad Pitt begs such a question, as he has his way with an allegedly Austrian accent through widespread and wanton application of generic "movie accent" elements like long vowels and rolled R's. Yet this phonetic plum pudding, a synthetic dialect of sorts, fits the story's cross-cultural spirit. Ultimately, the blooming of emotion that marks the central transformation of Pitt's character in the face of Tibetan culture makes an otherwise sappy moral and politically correct focus much more palatable...
Debussy's Preludes, Book One, comprised the entire second half of the recital. The generic eclectics of these 12 miniatures must have appealed to the amply-repertoired Pollini, who has recorded both Mozart and Stockhausen for Deutsche Grammophon. His technique was particularly well-suited to the fierce leaps and skips of the third prelude, "The Wind of the Plain." It was equally fun to watch him grab fistfuls of notes with such glorious abandon in "The Hills of Anacapri," the ending of which seemed contrived by Debussy to recall the final arpeggio of the earlier "Gardens in the Rain" from...
...album YES!!, perky indie-pop superstar-in-his-own-mind Chris Knox comes up with creative, energetic ways to explore mediocrity as an art form unto itself. Rather than seek out new musical territory, Knox revels in cliched, annoying formulas slapped together to form a pastiche of generic major chord mayhem. YES!! does succeed in pushing limits--for instance, those of compact disc space capacity. Knox man-ages to pack more than 70 minutes of his special brand of grating, '80s-obsessed, painfully simplistic pop stylings onto a single disc...