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...speeches among four persons, imported dialogue from the end of 2 Henry IV (delivered over loudspeakers), and added lines of his own by way of scene descriptions. And there is a steady parade of gimmicks and odd bits of business, borrowed from such sources as the plays of Brecht, Genet's The Balcony, and the Living Theatre's Mysteries and Smaller Pieces. Kahn is, like Autolycus in The Winter's Tale, a 'snapper-up of unconsidered trifles." He has seen a lot of theatre, he is young, and he is eager to try out a lot of ideas for himself...

Author: By Caldwell Titcomb, | Title: Anti-War 'Henry V' Is Fascinating Failure | 6/30/1969 | See Source »

Since Che (Larry Bercowitz) is supposed to be Che Guevara, the play poses as a kind of genital love-hate profile of U.S. relations with revolutionary regimes. In terms of Playwright Lennox Raphael's limited dramatic imagination, it is rather like Jean Genet rewritten by an inept Noel Coward...

Author: /time Magazine | Title: New Plays: Faking It | 4/4/1969 | See Source »

...media were also there in force, waiting patiently and apprehensively. Norman Mailer was there and Allen Ginsburg, Jean Genet and Terry Southern. And at about midnight the policemen were there...

Author: By Mark R. Rasmuson, | Title: Huntley and Brinkley Boss: Reporting Chicago or Abusing It? | 12/10/1968 | See Source »

...much can be said for some of the other coverage now emerging. Editors chose some unlikely writers to cast a new light on events, and it is quite often a lurid one. In Esquire, that chronicler of human decay and perversion, Jean Genet, reports that he could smell America decomposing; he was also fascinated by the size of the thighs of Chicago cops. In the same magazine, William Burroughs concocts a fantasy in which a purple-bottomed baboon runs for President. Esquire's John Sack, on the other hand, convincingly finds the typical cop much more playful, much less...

Author: /time Magazine | Title: Comment: Mailer's America | 10/11/1968 | See Source »

...towering figures of the French stage. A brilliant mime and tragedian, he has also been a potent instigator of dramatic innovation as director of the Théâtre de France, giving world premières of works by such playwrights as Beckett, lonesco and Genet. Last week Barrault interrupted rehearsals at his company's permanent home, the Odéon Theater on Paris' Left Bank, to announce that he had been dismissed as its director. The coup de grâce was administered in a curt letter from his old friend, André Malraux, France...

Author: /time Magazine | Title: Directors: Last Bow for Barrault? | 9/13/1968 | See Source »

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