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...minute film Un Dance d'Amour, produced and directed by Jean Genet, had been scheduled as the last of four movies to be shown in the course this Spring. But, after section men previewed the film late Wednesday night, Robert H. Chapman, associate professor of English, decided that the movie was not "fit for such general consumption...

Author: By Jeffrey C. Alexander, | Title: Section Men Rule Genet Film Unfit For Hum 4 Freshmen, Sophomores | 4/15/1966 | See Source »

...mistake from the beginning," Chapman said yesterday. "When we scheduled the film we thought it would have some dramatic relevance, but we realized after viewing it that if it hadn't been done by Genet it would probably have been junked long...

Author: By Jeffrey C. Alexander, | Title: Section Men Rule Genet Film Unfit For Hum 4 Freshmen, Sophomores | 4/15/1966 | See Source »

Friedman said later that whether or not the movie should have been shown to French 183 was up to Johnson's discretion. He pointed out that the film did pertain directly to the course's subject matter. In contrast, he noted that Genet was not even included in the regular Hum 4 reading list...

Author: By Jeffrey C. Alexander, | Title: Section Men Rule Genet Film Unfit For Hum 4 Freshmen, Sophomores | 4/15/1966 | See Source »

Against Interpretation has everything wrong with it. With no effort at all one can find inaccurate epithets (Camus' language is "stately ... an inexhaustible self-perpetuating oratory); mixed metaphors ("Saint Genet is a cancer of a book, grotesquely vebose, its cargo of brilliant ideas borne aloft by a tone of viscous soleminity and by ghastly repetitiveness"); solemn statements of the obvious ("The truth is, some works of theater may be judged primarily as of works of literature, others and attempts to be "in" ("those four wonderful Floppy Raggedy Andy dolls, the Beatles...

Author: By Beth Edelmann, | Title: For or Against Interpretation; Is There Really Any Question? | 3/18/1966 | See Source »

...Abysses, based on the actual double murder committed in 1933 by the Papin sisters, was assured of a favorable reception among the French avant-garde before the first frame of film began to roll through the camera. French intellectuals share a bizarre fixation for this particular crime; Genet, for example, based his play, The Maids, on it. As a result, Nico Papatakis, the director, may well have become too confident that every scene would have the emotional impact he intended. Unfortunately, they...

Author: By Daniel J. Singal, | Title: Les Abysses | 2/23/1966 | See Source »

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