Word: genetic
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Dates: during 1980-1989
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...Mary's retinue assembles, the pace quickens, and the play resembles a Marx brothers script co-authored by Genet and Brecht. As ladies in waiting attend the Queen, they are addressed from the rear by fornicating lackey-lovers. When Mary calls for her dogs, a bevy of stuffed canines are propped up before her. She chooses to disremember that she once had a hound killed for losing the scent in a foxhunt. Like unskilled pickpockets, her attendants try to plunder her last remaining jewelry. A marvelously comic doctor-apothecary team (John Bottom and Ron Faber) get the Queen deliriously...
Sometimes, as in the case of Janet Flanner, this urge to self-censorship makes for a rather opaque style of revelation. Writing for a half-century under the pen-name of "Genet" for The New Yorker, Flanner generally focused her discriminating eye upon the social and artistic elite of Europe. Her work often recalls the advocacy for taste and manners so prominent in the pioneering efforts of Addison and Steele; at other times, Flanner inserts herself neatly into the turmoil of the age, observing a bankrupt Berlin of 1931 or reflecting upon the fate of Warsaw some time after...