Word: genetical
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When a writer is at a loss for anything fresh to say, he sometimes cannibalizes previous successful works of his own, or cribs outright from someone else. In The Screens, Jean Genet does both. Thinly disguised furnishings of The Balcony, with its bordello fantasies, and The Blacks, with its racial voodoo masks, go floating past in this five-hour play that most nearly resembles a roiling, debris-clotted river in flood...
...palace of wisdom"-so William Blake, whose mask Bacon once painted. Bacon's career has been a pursuit of this truth, from the transvestite bars of 1920s Berlin to the green baize of Monte Carlo, where he still assuages his passion for gambling. He is the Genet of painting, most particularly in the lavishness with which he uses his own psyche as experimental material...
...give offense, there seems in such new novelty and head shop items an impulse to debunk childhood fantasies, or at any rate the fantasies of Disney's artists, by degrading the whole crew and thereby achieving a kind of liberation. It is Disney in the style of Jean Genet-a symptom, paradoxically, of the fetish for childhood that has seized many who are in the process of leaving...
...Women's Lib-exaggerated, unreasonable, but written with passion, wit and a bottomless supply of earthy words from centuries back.* Though Greer is erudite, her book is far less intellectual than Kate Millett's Sexual Politics, with its long, scholarly analyses of Mailer, Lawrence, Miller and Genet. Greer is more interested in the popular press, which she combs for illustrations of her thesis. To her, woman has become a eunuch, a poor creature castrated and forced into passivity by men, who have somehow commandeered all the world's energy...
...WHAT Mailer finally considers Millett's fatal flaw is the way she butchers the literary material and the writers she criticizes. D. H. Lawrence, Henry Miller, and Jean Genet all fall under her carving knife. (So does Mailer, for that matter, but in the Harper's essay, he seems to be too, er, modest to reflect on Millett's criticism of his own work, except in passing.) He is, however, swift to show us how and where the good woman wrecks havoc...