Word: genetics
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Dates: during 1960-1969
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...Jean Genet's The Blacks, a mocking kaleidoscopic allegory of race hatred, is probably the most interesting item around. Genet's other long-running offering is The Balcony, an amusing charade in which the world is seen as a vast brothel. Rising Dramatist Edward Albee, who has not yet written a full-length play, has built a reputation on lonesco-like one-acters, of which The American Dream and The Death of Bessie Smith are now on view. Also recommended: Hedda Gabler, with Anne Meacham doing Ibsen to the hilt-and Under Milk Wood, a fine performance...
...Jean Genet's The Blacks, a mocking, kaleidoscopic allegory of race hatred, is probably the most interesting item around. Genet's other long-running offering is The Balcony, an amusing charade in which the world is seen as a vast brothel. Rising Dramatist Edward Albee, who has not yet written a full-length play, has built a reputation on Ionesco-like one-acters, of which The American Dream and The Death of Bessie Smith are now on view. The classics are represented by an exciting and remarkably durable Hamlet at the Phoenix, and by Hedda Gabler, with Anne...
Angel Baby (Madera; Allied Artists) is a Bible Belter that brings to the movies Salome Jens, whose performance as the range "whorse" in Jean Genet's Balcony captivated New York's off Broadway last season. Now there is reason to believe that her seductive hallelujahs as a prurient evangelist may well make her the toast of the movie tabernacles. For Salome (she pronounces it Sal-o-way) is that rare actress whose vernal essence comes from within, breathing innocence, poignancy and a strange soft beauty into an otherwise wooden face...
...this kaleidoscopic use of attitudes that Genet substitutes for action; and it is his shifting, jarring, distorting, disrupting color effects that constitute his theatrical thrusts. What most flares and flashes is a scathing, mocking Negro anger toward the whites. Where in Genet's The Balcony men act out their dreams, in The Blacks they act out their nightmares as well. Often unbridled, sacrilegious, obscene, The Blacks is echoing too at times, with travestied ceremonies, Pirandellian illusion and reality, a sense of secular Black Masses and King Lear mock trials. A savage Negro assault that is also a Genet indictment...
...truly provocative work well staged by Gene Frankel, The Blacks can be poetic, caustic, slapstick, can startle, puzzle, perturb. And Genet, in going back to the ritual origins of theater as a way of going beyond its modern routine conventions, achieves startling effects. But he pays a pretty steep price for them, either through a self-defeating technique or through an insufficiently mastered one. For, unable to advance through plot, The Blacks can only assault through repetition. True ritual serves well-defined occasions; "ritual'' here is stretched out to meet a varying host of demands. The shocking, never...