Word: genetics
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...mother was a psychologist. "I must have been eight," White tells us, "when [she] gave me my first Rorschach." He survived her many attempts to analyze him, well enough to become a lyrical novelist (A Boy's Own Story) and a shrewd biographer of the French convict-litterateur Jean Genet. Life takes White through New York and Paris as well as through lovers, hustlers and the shopworn theatrics of S&M. The chapters that detail his forays into sexual abjection don't always work, but in the end, his book bears out the line he quotes from the sly French...
...amiable, chatty and deeply unpretentious--he refers to his writing as "scribbling." But it's at least a bit of a con--he's read practically everything, and he gets a sly kick out of reminding you of that. He references both Ibsen and Crichton, Joan Didion and Jean Genet. Before I arrived, just as a courtesy, he read my book...
DIED. MOSES GUNN, 64, actor; from complications of asthma; in Guilford, Connecticut. Cofounder of the Negro Ensemble Company, Gunn, the oldest of seven children of a St. Louis, Missouri, laborer, made his off-Broadway debut in the legendary New York premiere of Jean Genet's provocative The Blacks (1962). Gunn won Obie awards for his work in Titus Andronicus (1967) and The First Breeze of Summer (1975), and was admired for his Othello. Movie credits included The Great White Hope (1970) and Shaft...
Nobody does abjection like Michel Houellebecq. He's French, after all, so he has the exemplary squalor of Sartre, Celine and Genet to live up to. It was the state-of-the-art estrangement, plus the sex, that made his second novel, The Elementary Particles, a huge best seller in Europe and made Houellebecq (pronounced Well-beck) a heavily contested literary star. Last year he was acquitted by a French court of inciting racial hatred after he called Islam "the most stupid religion." (Does it help to know that his mother left him in childhood for an Arab and converted...
...Estabrook ’03, Catharina Lavers ’03 and Jeremy Reff ’04, this exciting production of The Balcony brings back to the Loeb Mainstage Genet’s tale of sexual and scatological revolutionaries for the first time since 1985. Written when director Genet was in prison, The Balcony deals with themes of sexual fantasy and revolutionary violence in a climate of political hostility and impending death. Director Andrew Boch ’03 feels that The Balcony is a highly relevant production given today’s political climate, and hopes that...