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Grammy Awards were handed out last week in 107 categories. If you didn't win one, you probably weren't trying. (Or you were up against Ray Charles' much-loved, little-listened-to Genius Loves Company.) Here, TIME's Josh Tyrangiel picks through the albums the 17,000-member recording academy rewarded and a few it mysteriously overlooked to find ones you will like...

Author: /time Magazine | Title: Music: 5 CDs Worth Your Time | 11/14/2006 | See Source »

...exists in multiple versions, all of which are collected here, along with a new "comprehensive" version, three radio plays, outtakes and alternate scenes, and the novel "by" Welles, more or less, that the film is more or less based on. Welles' admirers are sure that a man of his genius must have made more great films than he did. They're always combing through his threadbare later output for one more masterpiece. With the beautiful reconstruction a few years ago of Touch of Evil they found one. This DVD set may not convince you that there's another one lurking...

Author: /time Magazine | Title: A Criterion Top 10 | 11/10/2006 | See Source »

...Three later films - The Marriage of Maria Braun, Veronika Voss and Lola - by the dissolute genius of German cinema, who died in 1982 at age 37. The films make an indispensable trilogy that charts the history of postwar Germany in terms set by the vivid melodramas that Fassbinder adored. (BRD stands for Bundesrepublik Deutschland - German for West Germany.) Among the more than three hours of documentaries and specially produced features on disc four are exceptionally lucid interviews with Fassbinder's three stars, Hanna Schygulla, Rosel Zech and Barbara Sukowa. The audio commentary on Maria Braun is by director Wim Wenders...

Author: /time Magazine | Title: A Criterion Top 10 | 11/10/2006 | See Source »

...latest film “Copying Beethoven” captures such a slump, showing us the last, deafened days of Beethoven, with the Ninth at his back. Holland, who directed “The Secret Garden,” enlists Ed Harris to play the German genius, and though both director and star create much bluster and intensity, neither of them offer the audience much more than empty sound and fury. Apart from the music itself, the story told in the film is blatantly fictitious and will likely offend the aficionado’s sense of history. The role...

Author: By Andrew Nunnelly, CONTRIBUTING WRITER | Title: Movie Review: Copying Beethoven | 11/8/2006 | See Source »

...started miming crossovers and freethrows after sacks and interceptions. Since the dippiest member of the Dipset intervened, the Giants are 5-0, and their tenacious D has held opponents to just over 10 points a game. Anyone—other than Giants linebackers—expecting to find directorial genius in “We Fly High” will be disappointed. The director isn’t Spike Jonze; it’s Jim Jones. Although he has nothing new to display, he plays show and tell. We get to see his cars and his jet plane; his women...

Author: By Jake G. Cohen, CRIMSON STAFF WRITER | Title: POPSCREEN: Jim Jones | 11/8/2006 | See Source »

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