Word: genresã
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...Nonetheless, RH director Will B. Payne ’07, who is also a former Crimson arts executive, promises the event will be accessible for “the average music enthusiast” despite the admittedly esoteric lineup.“These are established musicians in small genres??that I think a lot of Harvard kids that have inclinations in these directions will really enjoy,” he says. Some of the bands have strong ties with Harvard. A few, including Eloe Omoe and Lucky Dragons, feature former Record Hospital DJs, Another band, Daniel Striped Tiger...
...series don’t have much in common. Cowboy Bebop’s celluloid incarnation avoids Powerpuff’s sugar-and-spice conceit in favor of a complex plot involving Martians, killer macadamia nuts and pharmaceutical corporations. The film borrows copiously from a range of niche genres??action, romance, western and sci-fi, among others. It’s a shame that it isn’t a musical, too (“Bebop” is the name of the film’s spaceship), considering that it’s been decades since Paint...
...series don’t have much in common. Cowboy Bebop’s celluloid incarnation avoids Powerpuff’s sugar-and-spice conceit in favor of a complex plot involving Martians, killer Macadamia nuts and pharmaceutical corporations. The film borrows copiously from a range of niche genres??action, romance, western and sci-fi, among others. It’s a shame that it isn’t a musical, too (“Bebop” is the name of the film’s spaceship), considering that it’s been decades since Paint...
...series don’t have much in common. Cowboy Bebop’s celluloid incarnation avoids Powerpuff’s sugar-and-spice conceit in favor of a complex plot involving Martians, killer Macadamia nuts and pharmaceutical corporations. The film borrows copiously from a range of niche genres??action, romance, western and sci-fi, among others. It’s a shame that it isn’t a musical, too (“Bebop” is the name of the film’s spaceship), considering that it’s been decades since Paint...
...Oval and Muslimgauze. But DJ /rupture’s real brilliance lies not in his eclecticism, an aspiration that Clayton finds “horrifying” for its implications of cultural dabbling. Instead, it’s in how effortlessly he makes sense of these seemingly disparate genres??ranging from dancehall reggae all the way to avant-classical—and recreates them into a singular body that is at once memorable and immensely addictive. Gold Teeth Thief is the sort of boundless organized noise that hasn’t been heard since the heyday...