Word: genteelisms
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Dates: during 1950-1959
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...ways, Shaw had no connection with the igth Century at all. He was really a man of the 18th Century, closer to Voltaire and Swift than to Marx and Morris. The Anglo-Ireland of 1856, when he was born, was an ossified 18th Century society. It was elegant yet genteel; it was ruled by the blistering aristocratic candor and the simple aristocratic naivety; it was naturally irreverent, as aristocratic societies are; it was libertine in word, but preserved the trite, conventional and charming copybook morality of the 18th Century in action. When he died, Shaw was really a hundred years...
...most precocious youth of 14 who ever trod the Victorian stage. He smokes, plays cards, and makes love to his piano-teacher, just as if he were 19 years old. One night he even lures his stepfather to a roisterous dinner at the Hotel des Princes, a genteel Victorian hellspot...
...surveyed that truth from top to bottom. Born 54 years ago on the genteel upper slopes of U.S. society, Dos Passes got a long look at the depths as a World War I ambulance driver. He came back to a U.S. racked by social and economic change, threw himself into the defense of Nicola Sacco and Bartolomeo Vanzetti. Before long, like many another idealist of his generation, Dos Passos had plunged deep into the murk of Marxism. The murk slightly distorted his otherwise vivid, sprawling trilogy of 20th Century America, U.S.A., which remains his most notable contribution to U.S. writing...
...varsity" crew--which in fact will not have a single man from last year's varsity rowing in it--will today row one mile in a genteel race on the Charles. They will face crews from M.I.T., Dartmouth, and the Union Boat Club of Boston...
...trouble with Legend of Sarah is not just that the pattern is familiar but that like the pattern in wallpaper it endlessly repeats itself. Sarah starts with lovers scrapping and they continue to scrap, at ten-minute intervals, for the rest of the play. Betweenwhiles, the genteel agitation over the ancestress could be excused its lack of drama if it ever had any real gaiety as satire. The dogged humor of the play is not helped by the relentless vivacity of the production...