Word: genteelisms
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...death of her loyal assistant HAROLD ALBERT; in Midhurst, England. Cathcart, it turns out, was really Albert--clothed in literary drag to woo his predominantly female readership. Albert educated himself by reading, escaping a Dickensian childhood--absent father, reviled stepfather--to write Her Majesty, Prince Charles and other genteel accounts of royal life...
...bustingly hilarious third act in which Eliza makes her first appearance in genteel society, Mary Klug and Celeste McClain add to the laugh quota as the dresden-china gentlewoman Mrs. Eynsford-Hill and her would-be-fashionable daughter Clara, while Neil McGarry plays an appropriately pop-eyed Freddy, Eliza's fatuous suitor. This scene-Shavian social comedy at its greatest-is probably the best of the entire production, though McConnell mugs a little too hard as the half-finished creation...
...didn't win, and Weld's political resume still makes him a poor fit for anything resembling national office: He's too much a social liberal for a GOP ticket, and too prominently Republican to cross the aisle. Barrett sees Weld "striking out into some genteel private-sector post ? like a university presidency." Weld is still young, and he's got his wealth. Having started his fire in Helms's living room, Weld seems content to head back home...
Albeit overshadowed by 78 million self-important boomers, the 45 million Xers born between 1965 and 1977 represent $125 billion in annual purchasing power a year. And of late, reading their psyches has become less a genteel academic pastime than an extreme sport in which sneakermakers, brewers and car manufacturers scramble for market share. Politicians trolling for votes, churches seeking converts, military services recruiting soldiers, moviemakers looking for viewers and magazines for readers: hardly a sliver of society is exempt from the need to understand and, indeed, cater to this generation. Yet Gen X has proved irritatingly contrarian. "The soul...
Like it or not, by 1965 Manhattan was the center of Western contemporary art in terms of collecting power, museum clout, promotional and dealing skills and, not least, the amount of talent stacked up in it. The old, genteel American suspicion of the new had vanished. The circuit with the worship of newness in the larger culture had closed. The first beneficiary of this situation was Pop Art, the first wholly accessible style of international Modernism--an art about consumption that sat up and begged to be consumed. Its epitome was Roy Lichtenstein, who emerged in the '60s with...