Word: gentlemanly
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Dates: during 2000-2009
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...went to vote at Quincy House, but was not allowed to bring the sign into the polling station—all campaign material was barred from the lobby. He said he had brought the sign as a last-minute gesture of support. “[Kelly] is a gentleman I feel deserves to be elected,” he said. Meanwhile, one student tried to capitalize on the election-day flow of civic-minded voters, expecting it to be more than just a trickle. Mina S. Makarious ‘06 stood outside the Quincy House gate on Plympton...
...McGirk's article "War in the Shadows" [Oct. 10]. He wrote that after an ambush outside Kandahar, an American officer directed his men not to shoot wildly at the shadows flitting through the chaos because "Dammit! It's civilians mixed with enemy." The U.S. is trying to fight a gentleman's war. There will be civilian casualties in any war. We have to quit trying to pick and choose when we raise our weapons. Either get out now or fight. Denise Fitzgerald Shelby Township, Michigan...
...McGirk's article "War in the Shadows" [Oct. 10]. He wrote that after an ambush outside Kandahar, an American officer directed his men not to shoot wildly at the shadows flitting through the chaos because "Dammit! It's civilians mixed with enemy." The U.S. is trying to fight a gentleman's war. There will be civilian casualties in any war. We have to quit trying to pick and choose when we raise our weapons. Either get out now or fight. Denise Fitzgerald Shelby Township, Michigan...
...McGirk's article "War in the Shadows" [Oct. 10]. He wrote that after an ambush outside Kandahar, an American officer directed his men not to shoot wildly at the shadows flitting through the chaos because "Dammit! It's civilians mixed with enemy." The U.S. is trying to fight a gentleman's war. There are civilian casualties in any war. We have to quit trying to pick and choose when we fire. Either get out now or fight...
...There were men who danced. Where are they?” Wolohojian asks. There are no sketches in the exhibit of men and women dancing duets. In many images of dancers, Wolohojian notes, the only male presence is an unsettling one, whether it’s the top-hatted gentleman lurking in the wings behind the “Two Dancers Entering the Stage,” or the violin player whose music controls “The Rehearsal.” Wolohojian knows that most people love Degas’ dancers because they seem “innocent, full...