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...says, permanent) sound. Wallach’s discovery of lost 1950’s recordings of British soul—what Wallach terms an “organic rock precursor to the Beatles”—inspired the band’s trademark “gentleman rock.” And although they want to keep this gentlemanly image intact through an impeccable fashion sense—they’d rather never make it than be caught performing without suits on—they say they’re careful not to seem...

Author: By Emily T. Sabo, CRIMSON STAFF WRITER | Title: Almost Famous | 4/22/2004 | See Source »

...image for their new name. Though dressed in a Lacoste sweater, Merrell slip-ons and his trademark sweatband, Wallach endorses E-Bay as the source of his Saville Row suits. Despite a seemingly high-priced aesthetic, the group explains that “You can only hate a gentleman who looks down on you.” Consequently, they strive to be as inclusive as possible with their music. “We don’t intend to alienate any anti-gentleman types,” Wallach says. “The same goes for gentleman types. We aren?...

Author: By Emily T. Sabo, CRIMSON STAFF WRITER | Title: Almost Famous | 4/22/2004 | See Source »

Perhaps the most interesting interpretation belongs to Alan D. Zackheim ’06, who plays the dual roles of Old Gentleman and Girl’s Brother. “The show itself is in a lot of ways a reflection of Ben Margo’s personality,” says Zackheim. “A lot of his sense of humor, things that he doesn’t necessarily expect the audience to get but just finds really awesome, he’s more than happy to throw into the show...

Author: By Michelle Chun and Ben B. Chung, CRIMSON STAFF WRITERS | Title: Spring Season at the Loeb | 3/19/2004 | See Source »

...While] frats here are less about formalities of the gentleman and more about the nature of person and brotherhood, final clubs are heavily based on certain formalities and passed-on traditions that engender deep fraternity,” says one undergraduate who belongs to both a fraternity and a final club...

Author: By Jennifer A. Woo, CONTRIBUTING WRITER | Title: The Other Male Social Clubs | 3/18/2004 | See Source »

...enduring image of John Gielgud is that of a grand and dignified English gentleman. Think of that sonorous, burnished voice, those proud, aristocratic features. Then try and imagine him writing "[The] young men are certainly attractive, and of course they are mad costume and uniform fetishists, so my eye was continually titillated with corduroy, breeches, jackboots, et cetera!" That frisson of conflict between public and private man is part of the irresistible appeal of Gielgud's Letters, published this week. The 800-plus missives, written between 1912 and 1999, reveal a complex, often outrageous, character. Not only is Gielgud open...

Author: /time Magazine | Title: A Man of Parts | 3/14/2004 | See Source »

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