Word: gentlemen
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Dates: during 2000-2009
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...however confusing and uncomfortable, doesn’t end there. The boys catch a ride in a phantom Fiat (because what could be more bizarre than a spectral European compact car?), and fly high above a landscape coated with strange dancing women atop bales of hay. No, ladies and gentlemen, this is not your brain on drugs, this is your brain on !!!. The decision as to which one is healthier is up to you. —Ryan J. Meehan
...Harvard’s white, male students under the new curriculum were written by white, male, dead people didn’t seem to bother the white, male, nearly-dead Faculty members who authored the Whitebook. They were too intent on the racist, sexist goal of educating civic-minded gentlemen to care...
...Jews, or as they're called there, "the frozen Chosen.") Chabon is still a literary novelist, but he's having a hot, star-crossed flirtation with the "popular" genres. He riffs on them, toys with them, steals their best tricks, passes them notes in class, etc. In Gentlemen of the Road (Del Rey; 204 pages)--which appears a scant, almost show-offy six months after Policemen's Union--he achieves something like consummation. He goes...
...Gentlemen is set around A.D. 950 in a politically chaotic region of the Caucasus mountains. Our heroes are two rootless adventurers: Amram, a massive Abyssinian axman, and Zelikman, a pale, painfully skinny Frank (a kind of proto-German) who dresses in all black and carries a surgical instrument as a weapon. They are fast friends, seasoned brawlers and amateur philosophers given to terse exchanges of melancholy wit. They resemble--as all couples who stay together long enough ultimately do--Vladimir and Estragon from Waiting for Godot...
...mandarin writing in the voice of a junk-sick 1950s pulp hack who dreams of being a Pulitzer winner. He seems to find the masquerade liberating. For once he never has to stop the action or worry about the prose being too purple or not purple enough. Gentlemen contains only trace amounts of irony. Best of all--and this is good for Chabon, who, unlike Updike, has a sentimental streak--the characters feel emotions only when they want to, and never more than necessary. "Are you sad?" a chatty prostitute asks Amram. "Filled with remorse?" No, he says...