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Gunther has a long section on the rights & wrongs and possible solutions for the U.S.Argentine beef problem. He also discusses such things as why Buenos Aires busses are called mata gent es (man-killers) and their drivers, asesinos (assassins); why Argentina has two Presidents (Roberto Marcelino Ortiz, Dr. Ramon Castillo); why Buenos Aires has two of the world's best newspapers (La Prensa and La Nation); what Argentines think about World War II; what they are doing about their "powerful and dangerous" Fifth Column; why they say: "When the United States talks about bases it is like stamping...

Author: /time Magazine | Title: Books: Colossus of the South | 11/3/1941 | See Source »

...very spasmodic. Someone three seats down on my right would say, "Stub Pearson sure is getting knocked flat on his back, Mike, ain't he." (I figured him for the New York, Times). Then from all around would come an answering chorus of affirmative grunts, and the baldish gent on my left would grab in front of me for the binoculars of the man on the right and stare down at the field for a long minute and then add his own assent with a tardy lackadaisical "Yeah...

Author: By John C. Robbine, | Title: Sports of the Crimson | 10/24/1941 | See Source »

Bette Davis asked for it. Almost invariably cast as an indoor girl who prefers to do her suffering mentally, she pestered the Brothers Warner to co-star her with Rough-On-Rats Cagney. Their first get-together since 1934 (Jimmy the Gent) turns the vixenish lady into a foxy hoyden. Mr. Cagney ungently plucks cactus spines from the seat of her pants after she makes an awkward leap from their stalled plane, deliberately smacks her skull with his to drive home a point, slingshots her from the rear while she signals for help with a mirror, roils her finery...

Author: /time Magazine | Title: The New Pictures, Jul. 28, 1941 | 7/28/1941 | See Source »

...most sociable guy in the business, he is also the most hardboiled. He frequently treats producers rough. But he plays them smart. He may explode working for explosive Jed Harris, but he is a gent when working for gentlemanly Arthur Hopkins. He may write reams of copy about a play for the press, but to its producer he never offers a word of unsolicited advice. And the producer-the man who pays him-comes first, last & always with him. Composer Dick Rodgers once asked him: "Is it a secret that I am writing the music for this show?" Retorted Maney...

Author: /time Magazine | Title: The Theatre: Portrait of a Press Agent | 1/8/1940 | See Source »

Other members of the cast are: "Moll," Miss Shirley Bernstein; "Mrs. Mister," Miss Lillian Wolfson; "Sister Mister", Miss Francis Morrison; "Sadie," Miss Sarah Kruskall; "Ella," Mrs. Lynn Gordon; "Gent" and "Junior Mister," Myron Simons '40; "Mr. Mister" and "Dick," William A. Whitcraft '39; "Cop," Rendigs Fols '39; "Reverend Salvation" and "Stevie," Kendall Smith 3G; "Editor Daily and Dauber," Rupert Pole '40; "Yasha," Arthur Szathmary 2G; "Prexy," Robert Rothschild '39; "Scoot," Jonas Muller '40; "Doctor Specialist," Alfred Eisner '39; "Druggist," John Wahlke '39; "Bugs," Robert Seidman '41 and "Gus Polack," Roger Henselman...

Author: NO WRITER ATTRIBUTED | Title: Student Union Thespians Will Give Timely Musical Drama | 5/26/1939 | See Source »

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