Word: geoffrey
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Dates: during 1950-1959
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This was "Twentieth Century Folk Mass," the product of one Fr. Geoffrey Beaumont, which has recently been recorded by the highly competent orchestra of Frank Weir (who is a sort of British Percy Faith). The Anglican service has been provided with music more usually associated with the world of TV variety shows and popular erotic ballads. Fr. Beaumont professes to write in the spirit of the old polyphonists, who wove popular tunes of their day into their masses. Most people in England, he argues, are responsive only to the kind of music purveyed on the mass-consumption mediums. What better...
This novel has more combinations than the daily double. Against a quarter-century backdrop ('30s to mid-50's) are staged three separate plots: 1) the life and loves of Geoffrey Bliss, a brittle-witted English playwright and "four-letter person"; 2) the struggle of adulterous peeress v. straightforward secretary to find bliss with Bliss; 3) the tea-and-sympathy schooling by the secretary of Geoffrey's sexually insecure son Ludovic, whose mother is the peeress...
...dazzling world of the London theater. Inevitably, Alex steps through Playwright Bliss's looking glass, when she goes to work for him as his secretary. Bliss is an homme fatal, one of those men three-quarters of whose present consists of past. But Alex keeps calm till Geoffrey casts a luscious peeress, Lady Perdita Carne, in his medieval spectacle play Ludovic II. The soap operantics of Ask Me No More are made palatable by a knowing re-creation of the London theater, lively dialogue that is often outrageously punny ( "Anouilh, get your gun"), and a couple of cocktail party...
...worth seeing? The answer, upon reflection, is yes. With its several flaws, Hartman's Godot stands up well when compared to the excellent all-Negro version. Matisoff may be even better than his opposite number was; only Graham falls far short, which merely proves that there are too few Geoffrey Holders in the theatre. And, after all, everyone should see Waiting for Godot at least once...
...first day of the Convocation of Canterbury in Westminster's Church Assembly Hall-presided over by the Archbishop, Geoffrey Francis Fisher-the divines were discussing the report of a church commission on the Ministry of Healing. The Venerable Maxwell Dunlop, 59, archdeacon of Aston, rose to express his distress at the report's appendix on the subject of exorcism. "Apparently no member of the commission has questioned whether demons really exist," said Archdeacon Dunlop...