Word: geoffreys
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Dates: during 1980-1989
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Finally, last April, British Foreign Secretary Sir Geoffrey Howe officially announced that Britain would have to surrender administration, but remained determined to fix terms whereby its colony could continue flourishing in the freewheeling style to which it was accustomed. That move prompted the Chinese for the first time to agree to address specific issues, and in June a "joint working group" began to thrash out the details...
Last week both sides came close to laying their cards on the table. The decisive session occurred during a four-day visit to Peking by British Foreign Secretary Sir Geoffrey Howe. After seven hours of bargaining with his opposite number, Foreign Minister Wu Xueqian, Howe spent 90 minutes with Premier Zhao Ziyang in the Purple Light Pavilion, where Emperors once gave audiences to "barbarians" bringing tribute. Finally, the Foreign Secretary went on to the Great Hall of the People and spent an additional 40 minutes with Deng Xiaoping, China's de facto leader, who has elevated the recovery...
When British Foreign Secretary Sir Geoffrey Howe argued during a visit to Moscow that the U.S. position on space talks was reasonable and positive, Soviet officials reacted with icy disbelief. Howe called the White House to verify that no preconditions were being laid down. Even that did not help. During an official lunch for Howe, Soviet Foreign Minister Andrei Gromyko delivered a harsh blast at the U.S., declaring that Washington was bent on "intensifying the arms race and spreading it to outer space." Howe remarked to reporters that people might well conclude that "the Soviet leaders are even unwilling...
...last hours Geoffrey's business is to reject finally, definitively, all redemptive possibilities: love (represented by the return of his wife Yvonne); ideological commitment (represented by his hall brother Hugh, who was Yvonne's lover); even such mild anodynes as friendship and nonalcoholic amusement. His fate is to touch bottom, literally in a den of thieves, and he is in haste to find it. The intelligence of Gallo's work lies in his recognition that the symbolic values of Under the Volcano's major figures, incidents and landscape are intrinsic and easy to catch. They need...
...classic American style of moviemaking, unselfconscious and objective: he trusts the tale, not the teller. And he trusts his actors as well. As Geoffrey, Albert Finney staggers toward his doom on feet unsteadied not so much by booze as by the weight of the cross he bears, a compound of tormented memory and suffering intelligence. There is in his presence a nobility that elicits compassion along with admiration for the actor's work. Jacqueine Bisset and Anthony Andrews tread similarly delicate lines as Yvonne and Hugh, trying to cling to their dreams despite the rude, awakening noises of Geoffrey...