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Event Nine: 100-yd. Backstroke--1. Mark Heinrich, Navy, 52.39. 2. Geoffrey Seelen, Harvard, 52.50. 3. Chris Prinslow, Army, 52.80. 4. Kurt Langborg, Yale, 52.93. 5. Richard Meier, Princeton, 53.02. 6. James Smoragiewicz, U. Maine, 53.51. 7. Thomas Wilhelm, Army, 54.11. 8. John Wierik, Temple...

Author: NO WRITER ATTRIBUTED | Title: Crimson Grabs Gold in Tiger Specialty | 3/3/1979 | See Source »

Harvard officials are willing to admit that private funding is used for research, although Geoffrey P. Pollitt, director of the Bio Labs, said yesterday that such funding is "unusual." University records show only three instances of private funding for research, one from UpJohn Corporation, one from Biogen, who is helping to pay for the insulin experiments of Walter F. Gilbert '53, American Cancer Society Professor of Molecular Biology, and one from the Campbell Soup Corporation, which sponsored mushroom research earlier this decade...

Author: NO WRITER ATTRIBUTED | Title: Labs for Fun or Profit? | 3/3/1979 | See Source »

JERRY GOLDSMITH'S MUSIC is familiar. Geoffrey Unsworth's photography is full of phony compositions and "atmosphere," but since he's dead I won't speak...

Author: By David B. Edelstein, | Title: Nonelectric Trains | 2/9/1979 | See Source »

...creation. Says Harvey Tananbaum, an X-ray astronomer at the Harvard-Smithsonian Astrophysical Laboratory: "That first instant of creation is not relevant as long as we do not have the laws to begin to understand it. It is a question for philosophers and religionists, not for scientists." Adds Geoffrey Burbidge, director of Kitt Peak National Observatory: "Principles and concepts cannot be measured. A question like 'Who imposed the order?' is metaphysical." Still, virtually everyone -both scientists and laymen-is taken by the sheer unthinkable opacity of the creation and what preceded it. Says Jastrow: "The question of what...

Author: /time Magazine | Title: Time Essay: In the Beginning: God and Science | 2/5/1979 | See Source »

...sorry, I don't believe a man can fly--at least not in the fractured, badly edited take-offs, where the colors stink of chemicals and you can tell that any life has been squeezed out in special effects laboratories. Director Richard Donner and the late cameraman Geoffrey Unswerth provide some striking compositions (although the camerawork is far too heavy on rising and dipping crane shots), but Donner puts them together ineptly--whole sequences seem chopped up and hurried, and the images don't flow into each other. Superman is 100% studio hype; is the public so gullible that...

Author: NO WRITER ATTRIBUTED | Title: '50s Nostalgia and '70s Paranoia | 1/11/1979 | See Source »

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