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...barbed interviewer, he played the part of the jolly, flippant gryphon in a performance of Alice in Wonderland. Since this modern, de-animalized version had Freudian overtones, the BBC declared it unsuitable for children under twelve. But Muggeridge won warm reviews anyway. "Mr. Muggeridge's whole life," wrote Geoffrey Moorhouse in the Guardian, "has been leading up to the evening when he would dance a dab-toed quadrille, before a carefully prepared audience, against a sky of gathering gloom...

Author: /time Magazine | Title: Columnists: Dance of the Iconoclast | 1/6/1967 | See Source »

Kettering's senior physics master, Geoffrey Perry, began to suspect the existence of a new Russian launch site last March after his teen-age students recorded signals from the newly launched Cosmos 112 reconnaissance satellite and plotted its orbit. Instead of being inclined to the equator at 65°-the inclination angle of earlier Cosmos orbits-112's orbital path had an angle of 72°. Also, the satellite had been launched at a later time of day than previous Cosmos shots and had returned to earth after 122 revolutions, instead of the usual 124. In a letter...

Author: /time Magazine | Title: Space: The Secret of Plesetsk | 12/30/1966 | See Source »

Initially, Davis' Catholic friends were too stunned to respond to the news, although Rosemary Haughton, a housewife and lay theologian, wrote to the Guardian that his defection "is a staggering blow to the whole church." Guardian Columnist Geoffrey Moorhouse also saw it in those terms. "For Catholicism," he wrote, "it is a blow as bitter as the one Anglicans sustained 100 years ago when John Henry Newman departed for Rome." Davis' friend and superior, John Cardinal Heenan of Westminster, said only that he would pray "that God will guide him in all his undertakings...

Author: /time Magazine | Title: Roman Catholics: A Theologian Defects | 12/30/1966 | See Source »

...Performed by the Inmates of the Asylum at Charenton under the Direction of the Marquis de Sade (abbreviated Marat/Sade) owes much to the scheme of those who created it (abbreviate Weiss/Brook). Sired by Brecht, Artaud, Genet and Pirandello, conceived by the German filmmaker and novelist Peter Weiss, translated by Geoffrey Skelton, set to music by R. C. Peaslee, and delivered in London and New York by the Royal Shakespeare Company's Peter Brook, the play is not one man's play open to interpretation by other men. It is an anthology of the century's predominant dramatic modes, and arrived...

Author: By Stuart A. Davis, | Title: Marat/Sade | 10/29/1966 | See Source »

Bowes, who feels that baton waving is one of the best ways to release pent-up urges, began his six-hour recording session by conducting the orchestra in a spirited rendition of God Save the Queen. Then he turned the podium over to BBC Conductor Geoffrey Brand, who whipped the musicians into shape, stepping aside to allow Bowes the therapeutic benefit of conducting a few of the final takes. Total cost...

Author: /time Magazine | Title: The Audience: Vent Those Urges! | 9/30/1966 | See Source »

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